Saturday, September 01, 2012
Budapest: The Hunt for Chinese Noodles.
Laziness. Procrastination. Call it what you will, I am guilty of it. This is the slowest summer that this blog has seen. I haven’t been posting because of… well, not much has been happening. Or a lot has that I don’t write about. Like writing, which is how the rent gets paid. I've been working on some contract writing this summer while trying to at least research some articles for paying publication, and the next thing you know – our lonely blog finds itself neglected, cast aside, forlorn, bereft of zingy little updates from the far corners of East Europe. Well, we haven’t been traveling as much this summer either. Fumie calls it our first “stay-cation" in Hungary, and it hasn’t been at all unpleasant. We’ve had a lot of visitors (Lemme hear you say YO! to the Cluj posse!) and endured the hottest summer in years without air conditioning, but we made it. My old bicycle – a half ton of ancient hardware nicknamed “the Maschina” by the local bike shop – was stolen from our building’s back yard in early July.
I had this bike - an old junker rebuilt by a bike messenger friend - for almost a decade and it was nearly indestructable. Perfect for Budapest's streets. It was so unspeakably ugly that I had actually seen bike thieves look at it and walk away. But bike theft is big business and Budapest is not immune. Most bikes are broken down and the parts shipped out to the third world where bikes are what the car is to the first world. Thieves strolled into the building yard and wire clippped through the cable lock that had worked for so many years. I will miss the Maschina, but it has finally been replaced by the hybrid trek bike of my dreams from Bikebase in Budapest.
I can now cruise Budapest shifting gears to my heart’s content. And yes – Budapest has some funky corners that even locals know virtually nothing about. I have written about the sprawling Four Tigers Chinese Market years ago. It is a world unto itself, part souk, part suburb of Beijing, hardly regulated by any local Hungarian law, but nevertheless it is an orderly place following its own rules. It is where all of the small shop owners of East Europe go to buy cheap underwear, discount toys, bad fishing equipment, cheap DVDs, and odd plastic hair clips and where Fumie and I go to find decent cheap Chinese and Vietnamese food hidden within the alleys and warrens of the back rows. Usually we go to the Vietnamese vegetable markets where you can get the cheapest frozen shrimp (Big frozen shrimp) and squid in Budapest, alongside Asian greens, sauces, rice noodles, and fish sauce.
The Dang Muoi Bufe and Asian market is here (I will deal at length with the Dang Muoi Bufe in a separate post. It serves Vietnamese food - a world class noodle cuisine all on its own right - and deserves some in depth attention.) which I have noted is the Best Restaurant in Budapest. Sure it may not lok like much, but the food is the best deal in town. Located inside a small Vietnamese food market, they serve some of the most authentic Vietnamese lunches in Europe on picnic tables located inside the shop. Friends (the Cluj/Kolozsvar posse again) pester me to take them there, and nobody goes home unimpressed. They make not only the classic Vietnamese Soup of The Heavens Pho (Pho bo, beef, and pho ga chicken) but about a dozen other great Viet meals in a bowl of broth as well, like the excellent spicy bún bò Huế.
If you are from Budapest, however, go find it yourself. (Back of the retail side of the market from the middle entrance, called gate 3 – across Kobanyai ut) The Four Tigers Market is merely the retail face of a whole world of Chinese business activity. On the other side of Kobanyai ut are a series of huge, dilapidated old warehouses and factories that have gradually been transformed into business centers called things like “Asia Center” or “Europa Center.” Set aside for large scale wholesale distribution, these shops are rarely visited by people strolling for bargains – they don’t sell single items. Trucks and vans with lisence plates from Romania, Poland, and Serbia load up on goods as porters wheel around on odd looking Chinese motorcycle trucks.
But if you go into the back nobody stops you from browsing. Hell, nobody even notices you. Which is good, because signs at the entrances – manned by beefy Hungarian “secuity” guards with tattoos and shaved heads – expressly forbid photography, and if you are lucky a shop keeper may warn you about the rule before the security goons confiscate your camera. Of course, we have been coming here for years so we are experts at surreptitious photography. The best way to cruise around this teeming urban market landscape in seeming invisibility is simply to ride a bicycle through it.
It is, basically, an industrial suburb of some Chinese city, so everybody gets around on bikes. Some parts of the market are fashioned into malls, some parts look like Turkish shopping centers, and bikes are parked everywhere. You can, literally, ride your bike through the malls. Everybody does, and nobody seems to be bothered by it. Different rules apply here. The streets back here are named “Shanghai ut” and “Wenzhou ut” and “Kinai ut.” As if you need to be reminded. We were here cruising for lunch, and we found it hidden among the kolbasz stands and trucks serving regional fried bread things from China.
When we were here a few weeks ago exploring with my old friend Rick and his wife, Xioarong (who is a sophisticated Szechuan woman) we came across a small lunch place advertising itself in Chinese as “Lunch. Shan.” Xiaorong poked her head in the doorway and asked the family there what kind of food they served. "Food from Shan county in Fujien province."
If you ever ate around East Broadway in Manhatten's Chinatown - noodle soups and spicy fish at rock bottom prices - you will understand our addiction to Fujienese cuisine. But here? In the Budapest wholesale market? It was a bit early, and we had already eaten our breakfast soup at the Dang Muoi across the street, so we took note of the place and made a mental promise to return. A couple of tables, a cash register, and a family making dumplings. What more could you ask for? This time Fumie and I went straight for it (address: K-8. Apparently, the buildings are named K, D, B, etc. Live and learn, right?)
We walked in, checked out the menu. Noodles. Soups. Dumplings. Nobody spoke much Hungarian or English. Excellent! The partons took no notice of us at all and all chatted in Chinese. the market is full of wei lo folks from Hungary and Romania, porters and workers and buyers who have picked up a taste for Chinese lunch - and even some who have learned to speak Chinese as well. Fumie pointed at the steam dish full of dumplings and expertly miscommunicated enough to get a dozen for FT 800. I simply said “Give me something good” And presto!
Out comes a bowl of some of the best Chinese noodle soup with pork ribs and vegetables this side of the Danube. This is a real winner - a deep delicious broth with real Chinese noodles, not the spaghetti some places use as a substitute. Sometimes there is nothing that beats a good Chinese noodle soup. I grew up with them as the cheapest good meal you could get in New York. The lack of chinese noodle soups used to be one of my biggest complaints about living in Budapest, but with a bit of faith, perseverance, and the world's fastest growing economy, Chinese noodles have come to me.
And dumplings. these were hand made, filled with meat that may have come from some kind of animal and oddly, carrots. Served with soy sauce and vinegar. They made Tokyo born Fumie happy, as did half of my soup. If Budapest ever gets a decent Japanese ramen noodle shop, these soup stands in the market may get a run for their money, but until then, they are safe. Now when the weather gets a bit colder and we need something more substantial, there are the traditional hand pulled Langzhou noodles you can find in another Chinese soup joint in a different part of the wholesale side of the street market.
This is an unnammed hole in the wall lunch spot with one table located in a warehouse across the street from the main gate of the Four Tigers Market. This little unmarked hole in the wall is run by folks who really don't care about anything except perfect noodles - atmosphere? Service? Nope. Just noodles. Tell me: is this not the most evocative bistro in all of Budapest? No? Well, they may well serve the best soup in town.
Service with a smile? Who needs all that extra stuff. They stretch the noodles by hand. If you want them, you will sit at a cramped picnic bench beneath a warehouse of cardboard crates and enjoy it anyway. To find it go to the doorway below the sign that says "Kapu" (gate) behind the sign that says "CHANGE" next to the Rong Rong market vegetable market, which is now just a guy hawking bitter melons and bok choy from boxes on the street. Its on your left about 25 meters before you get to the Hungarian sandwich/lunch stand where all the Romanian Gypsies and Syrian moneychangers hang out. Bon Appetit!
Friday, June 22, 2012
Chewing through the Netherlands!
Wednesday, June 06, 2012
Gypsy Festival in the Netherlands!

Been home a week since playing the International Gypsy Festival in Tilburg, Netherlands. The Festival is one of Western Europe's best venues for Gypsy bands getting together for a long weekend of music, culture and dance organized by Albert Siebelink's Stichtung Kultoer music agency, based in Tilburg. Over the years they have toured many of East Europe's best folk and Gypsy music acts around the Low Countries and have a lot of experience dealing with the particularities of working with Gypsy musicians on the road. And working with local Gypsy communities, Albert has been able to promote a sense of cultural inclusion that would be welcome in the frighteningly anti-Gypsy political atmosphere we presently have here in Hungary. It all added up to a seamlessly organized festival, a great and enthusiastic crowd dancing outdoors in downtown Tilburg.
Albert asked that Di Nayes play alongside the Hutsul Gypsy band Manyo from the Ukraine, as we did on our last CD Traktorist. The band - known in Hungary as the Tecsoi Banda - learned a lot of Jewish music via their father, the fiddler Manyo Cheriavets, who played for Jewish communities in the Ukraine in the years after WWII. And so it was a matter of getting the band from Tjaciv to Budapest and on a plane to Eindhoven, NL. Not easy. But I love a challenge, and after taking these guys to New York two years ago it was fun to watch them experience west Europe for the first time. We stopped at a supermarket for snack supplies on the way in from the airport, and they were somewhat blown away by the free promotional serve-yourself coffee machine located in the middle of the produce department. In the west, they give coffee away... for free! At the hotel we were rubbing shoulders with some of the musicians from Taraf Des Haidouks and the Kocani Orkestar... Yes, thank you, dutch Hotel, for knowing exactly what Gypsy musicians want to eat at the breakfast buffet: mounds of greasy bacon and eggs, bread and cheese, and coffee. Yes I even met happy Gypsies (maladyilem baXtale romensa...)
The main festival was on Monday - Pentecost, a holiday known as "Pinkster" in the predominantly Catholic southern Netherlends - Taraf des Haidouks and Kocani Orkestar, as well as Olah Vincze's band and Lajko Felix from Serbia, and Amparo Cortes' flamenco inspired project from Spain, Temperamanto Gitano, which featured the violin of my old friend Tcha Limberger. Tcha is a Sinto Gypsy from Belgium who came to Hungary in the 1990s to learn music. He apprenticed under master fiddlers in Transylvania like Netti Sannyi and picked up the virutostic style and repetoire of the Kalotaszeg region. For the last few years Tcha has also been working with Alan Bern's Yiddish Summer Weimar program teaching Gypsy music and theory.
Born blind, Tcha is something of a genius, speaking at least a dozen languages (including several dialects of Romani, Hungarian, and Romanian) and playing Gypsy fiddle in a number of styles. When Yuri the drummer from Manyo met him he listened and then said to me in Hungarian "It is a pity he's blind." to which Tcha piped in fluent Hungarian "No, I can hear well enough!" Backstage you could hear musicians from all over speaking in Hungarian, alongside Romani, Serbian and Romanian. It was like we had never left home.
Special thanks to our friends Hans and Vera for putting Fumie up and taking good care of the band, and to the Rom Baro himself, Albert, who managed to produce a festival of outstanding quality while facing a year of health concerns. As we say in Romani "T'aves but sastipe!" May you have much health!Monday, April 30, 2012
Budapest: The Kosher Butcher on Dob utca
Saturday, March 17, 2012
Kaddish for My Uncle: Eli Cohen 1931-2012
Some of my best memories of being a little kid, say around four years old, was when my Uncle Eli would drop by at our house in the Bronx to visit. Eli was my Dad’s younger brother. Where my Dad had the gravitas of being the father figure (and was a New York Policeman to boot) my Uncle Eli had all the spark and flame of youth. When he showed up me and my sister would jump up and down and scream “Uncle Eli! Uncle Eli!” He told jokes, he brought gifts, his pockets would be full of candy. And best of all, he walked on his hands. He would empty his pockets (I can hear the jingle of coins and keys as I type this) and do a backflip and walk around upside down on his hands as me and my sister laughed and clapped our hands in delight. When you are four, it simply does not get any better than an Uncle who will walk on his hands for you. My Uncle Eli Cohen, sadly, passed away suddenly two days ago, at the age of 81. Like a lot of the men in my family, he never accepted the idea of retirement as an option, and he was working and active until the day he passed, so his sudden death came as a shock to those who knew him. He leaves my Aunt Norma and three daughters – Gerry, Hillary, and Madeline – behind, along with many grandchildren, as well as my father, who loved his little brother dearly. Eli Cohen leaves a legacy of influence, inspiration, and education behind as well. Uncle Eli was the striver in our family, the brother that valued education and learning and knew that positive reinforcement was the best way to inspire that quality in us kids. He was the Smart Uncle.
As a little kid I remember him perking up as I would try to impress him with some bit of science I had heard on the Mr. Wizard TV show or some new dinosaur factoid I had picked up. He would engage me for hours, making me feel like adults actually cared what I was interested in. He knew how to make you feel that your interest was valuable to him. Eli trained to become a Geologist, and when I was a child he would describe New Jersey’s glacial boulders in a way that sounded like nothing in the world could be more fascinating than poking around ice age bogs in Morris county looking for granite outcroppings. Uncle Eli gave me his love of science, of explanation, of curiosity, and showed me how life is a lot more than it seems on the surface. Every family has its Einstein. Ours was Eli. Eli was also the anchor stone of our extended family’s Jewish life. It was something he took seriously, and that is one of the strongest things he left as our heritage.
And like many of his generation, he took advantage of the educational opportunities offered under the GI bill at a time which is generally considered to have been the golden age of American education. And he was smart as a whip. He was always getting patents on inventions he would come up with – better mouse traps, a specialized paint brush for painting in corners, improved surveying equipment, you name it, Eli patented it. Eventually he patented and actually produced and marketed an air soled running and walking shoe. Eventually, Eli realized that his knowledge of geology could be adapted to the market for real estate in New Jersey, and when he moved to the Garden State, my father soon followed with us in tow.
As a little kid I remember him perking up as I would try to impress him with some bit of science I had heard on the Mr. Wizard TV show or some new dinosaur factoid I had picked up. He would engage me for hours, making me feel like adults actually cared what I was interested in. He knew how to make you feel that your interest was valuable to him. Eli trained to become a Geologist, and when I was a child he would describe New Jersey’s glacial boulders in a way that sounded like nothing in the world could be more fascinating than poking around ice age bogs in Morris county looking for granite outcroppings. Uncle Eli gave me his love of science, of explanation, of curiosity, and showed me how life is a lot more than it seems on the surface. Every family has its Einstein. Ours was Eli. Eli was also the anchor stone of our extended family’s Jewish life. It was something he took seriously, and that is one of the strongest things he left as our heritage.
The Sabbath and Jewish holidays were taken seriously at his house, and he was very much the family historian of his generation, with a photographic memory of names and events that stretched back into the 19th century family history in Moldavia. Luckily, he passed on much of the family lore to me and his son in law Peter, but he knew so much more that is now lost. Eli was on the younger side of that generation who were formed by the Great Depression and World War Two, which has come to be known in the USA as the “Great Generation” – having lived through poverty, war, and then rebuilding in the post war era. Eli served his country as a Military policeman in England after the War, where he met my Aunt Norma.
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| Grandpa Morris Cohen, Aunt Norma Cohen, Gerry Onitskansky, Grandma Betty Cohen, and my Mom at shabbes dinner. |
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| The two sharpest cards in the deck: Jack and Eli Cohen. |
And when my Dad needed help, my Uncle was there with a job for him – for decades they worked together in the gritty arena of New Jersey industrial real estate.And although Uncle Eli inspired my love of science, it was an unrequited love. I went in the other direction, towards anthropology. Eventually I focused on African and American Indian linguistics, and I learned some West African concepts that are not the usual line of thought for New York Jews, but they apply here. The Yoruba are constantly aware – in act as well as in speech – of their ancestors. When you reach that stage in life where you leave this plane, you family holds a funeral where your life is celebrated. A band is hired, food is catered, the neighborhood shows up for a party to see you to the other side. (This is where the grand tradition of New Orleans Jazz funerals comes from. Your friends don’t only remember your life – they never forget your passing.) Your role is now to be that of an ancestor, an inspiration for the living and a source of continuity between the past, present, and future. And one stays in touch with one’s ancestors through a kind of inner dialogue of memory and fondness (and if you are a Yoruba, a shot of spirits spilled on the ground helps. Spirits for the spirit.) The ancestors are not gone. They are always present. You just have to live your life keeping their spirit alive. Their love and ongoing guidance is their existence. Consider your ancestors, and feel their love. It comes back to you. And we will always love you, Uncle Eli. Legn zol in Gan Eyden.
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| Around 1938, New York: Aunt Fran, Aunt Gerri, my Dad Jack, Grandma Betty, Uncle Eli Cohen. |
Wednesday, February 22, 2012
Dorel Codoban 1944-2012. Master of the Vioara cu Goarne.
Dorel Codoban, the master folk fiddler and instrument
builder from the village of Lazuri de Rosia, who was well known as the best
builder of the enigmatic Romanian folk violin known as vioara cu goarne, passed
away on February 7 at the age of 67. Dorel was more than a simple folk fiddler. He was the center of a cultural scene that represented his region – the Transylvanian
region of Bihor – and the unique regional culture that still thrives in the
mountains there. Dorel not only built these unique instruments, he played them
and encouraged other to play them, and he made sure that if you played one
yours would be in working order. He walked around with his coat pockets full of
spare resonators, tiny HO size screws, gramophone stylus jacks, ready for
anything and everything that could go wrong with a metal fiddle resonator.
Dorel was good friend of mine, and I looked forward to meeting him each year at
either folk festivals in Hungary or at the sprawling peasant market that
convenes every second weekend in October in Negreni. I first met him and his
family in 1990, at the Budapest Dance House Festival. His group of Bihor folk
dancers had been invited to represent Transylvanian Romanian culture, and I
wound up recording some of his music in the basement of a sports stadium at an impromptu
session that lasted at least two hours, during which we finished a two liter
bottle of his famed home brewed Bihor palinka. Later, when his son-in-law Dan and wife
Florica came to Budapest to buy auto parts they would stay at my flat. But the
best memories of him were always at the Negreni fair.
Dorel and Florica would be busy selling shepherd goods out of the trunk of their car – the coarse sheepskin
capes worn by shepherds, thick homespun wool winter coats, and, of course, the
vioara cu goarne fiddles that drew the most interest from curious foreigners.Pretty soon a knot of fiddlers would gather around, a drummer would appear, and
Dorel would lead the band around the fairgrounds to the beer tents. Vioara cu
goarne are extremely loud instruments, and you could hear the thin metallic outpour
of sixteenth notes from a half kilometer away. They are also very focused
instruments – since the metal resonator is directed into a bugle bell, it is
loud only in the direction you point the trumpet at.
Fiddlers habitually swing around while playing, creating a kind of Doppler effect, a natural wah-wah pedal depending on where the bell is aimed at. To counter this, fiddlers often played in pairs or trios, pointing their fiddle horns in different directions. Like other resonator instruments, such as National guitars, they are loud but their sonic profile is extremely hard to mike correctly – they are natural feedback machines near a microphone. And if you are playing one, the trumpet is pointed away from you, so you can hardly hear what it sounds like when you play it, making it frustrating to record in a studio. I know – I have tried many times. Dorel was well known as a craftsman who dared to take chances designing his fiddles.
At the request of a French musician, he began making fiddles with two horns (Pom Collins actually has one of these monstrosities)and fiddles using mica sheets for the resonator (instead of the usual sheet of
beer can stamped flat using one of his specially made brass hammer presses.
Some builders also liked to use the sheet metal from energy drink cans, claiming
the tone is more energetic .) Dorel
was constantly on the lookout for old gramophone Victrolas to scavenge for
parts used in the making of the resonator mechanism, as well as old bugles
dating from the era when Communist boy scout troops always employed a bugler.
No more communists meant no new bugles, so Dorel experimented with sheet metal
horns, used horns from camion trucks, and eventually, bugles ordered directly
from a factory in China. When I first moved to this part of the world in the
late 1980s, I was anxious to collect and learn the local traditions before the
modern world swept in and replaced all this homemade traditional music with the
commercial barking of globalized pop. Luckily, some of the tradtions are still
strong, particularly in Bihor, where the trumpet fiddle has been adopted as the
acoustic symbol of the regional obsession with the Oradea football team. Because of this, Youtube
videos I have put up of Dorel and other Bihor fiddlers have immense viewer statistics
that would make any indie pop band jealous. But with Dorel’s passing I know of
only one other reliable maker of vioara cu goarne: Mircea Rostas and his son Adi in Bratca. There are lots of players, to be sure, but fewer makers.One of
my fondest memories of Dorel was the trip we took from Negreni to Oradea, with Camille and Dejan in tow. During the trip we played the unsold fiddles that Dorel had brought to the fair as a fairly large group of Gypsies and peasants gathered in the hallway of the train, drinking beer and dancing. As you can tell in the video, we were pretty well though a Pepsi bottle of the good stuff as well. The next morning in Oradea Dorel was tremedously hungover, but that changed the moment he got in his folk costume. Dorel and Florica led the Rosia dance troupe in the annual Bihor folk parade through the streets
on their way to a folk festival in one of the city parks.
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| Playing at Negreni around 1999. |
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| Dorel and Florica Codoban. |
Fiddlers habitually swing around while playing, creating a kind of Doppler effect, a natural wah-wah pedal depending on where the bell is aimed at. To counter this, fiddlers often played in pairs or trios, pointing their fiddle horns in different directions. Like other resonator instruments, such as National guitars, they are loud but their sonic profile is extremely hard to mike correctly – they are natural feedback machines near a microphone. And if you are playing one, the trumpet is pointed away from you, so you can hardly hear what it sounds like when you play it, making it frustrating to record in a studio. I know – I have tried many times. Dorel was well known as a craftsman who dared to take chances designing his fiddles.
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| Dorel's fiddles. I own the older one pictured here. |
| Florica leading the parade in Oradea |
You can see the pride
in place that these people have, something Romanians really treasure, a sense of
home and hearth and continuity that transcends a single lifetime. Dorel gave us something, he gave his culture something, and he gave his family something very special. He was a good man. And I will remember him everytime I hear those tunes. And Although Dorel has passed on, I will go back, because it
is not just music that draws me to Transylvania, but the people. The ones I can
proudly call my friends.
Monday, January 23, 2012
Obama and Solinsky. Again.
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| "My Grandmother, Mrs. Imre Zala, meets Finance Minister Győrgy Matolcsy" |
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| The Father of Modern Public Relations |
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| Not Josef Solinsky, either. |
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