Tuesday, April 29, 2008
Hungarians in Istanbul
While I sit alone in Budapest, Fumie has taken her Dangerous Girlfriend Posse and invaded Istanbul for spring break. Without me. I'm devastated. But, given that this blog started as a diary of our long trip to Istanbul a few years back, I still have memories to share... for one thing, even in Istanbul you can never get away from the presence of Hungarians! Hungary used to be part of the OPttoman Empire for 150 years of its history... which is to say, while most of Europe was enjoying the Renaissance and conquering the New World and slaughtering heretics, Hungary had to suffer the indiginity of 150 years of relatively peaceful Ottoman rule. Of course, Hungary's involvement in the Golden Horn goes back beyond the Ottoman period. Take Saint Irene, for example... also known as Piroska of Hungary, who was married to Byzantine Emporer John Commenus II in 1104. She merits one of the largest surviving mosaic frescos in the Hagia Sofia church, and was also one of the founders of the Monastary of the Pantocrator, which today survives as the Fatih Mosque, and is the largest surviving example of Byzantine architecture in the world.
No mention of Hungarians in Istanbul would be complete without a word about... Orban. No, not that back-stabbing, cynical turncoat Orban. The other one. During the final siege of Constantinople in the 15th century the Byzantines hired a Hungarian canon maker to prepare a giant weapon for use against the Turks. Having contracted for the gun, the Byzantines renegged on the financial side of the deal. Orban left the city and offered his services to the Sultan. The giant canon he made could only be shot seven times a day, but it was enough to breach the walls of Constantinople and allow entry to the Ottoman forces. In gratitude, the armory found south of Chihangir in Pera was dedicated in his honor - the Orban tophane.
The first printing press in the Ottoman Empire was established by Ibrahim Mutaferrika, whose statue graces the central park in ther middle of the Bookseller's bazaar next to the Grand covered Bazaar in downtown Beyazit.
Although his original name is unknown, Ibrahim was born a Hungarian in Cluj, Romania, then known as the Hungarian city of Kolozsvar. We found his grave marker in the Mehvlevi Dervish cemetery in the Dervish Tekke next to the Tunel station in Beyoglu. According to the inscription, he became a Muslim servant of the Ottoman Empire in 1692.
The most recent Hungarian presence in Istanbul was centered in the Lalelei neighborhood near Aksaray. Back in the 1980s and 1990s this was where Hungarians went to buy cheap leather jackets and plastic shoes to resell in Hungary. Back then every shop owner could speak Hungarian (as well as Russian, Polish, and Romanian) but today all that is left is this one sad shop front to remind us of the days when the Magyar hordes descended en masse on their fearsome Volan buses.
Hopefully, the Dangerous Budapest Girl Posse will remind the denizens of Istanbul that Hungarains are yet to be feared... at least when there is grilled meat at stake.
Tuesday, April 22, 2008
The Lanzhou Restaurant in Budapest: China discovers the potato.
There is no use complaining that Budapest doesn't offer much in the way of Chinese restaurants. There are tons of Chinese places, but by and large they are not that good - almost every intersection offers a small, cheap "Kinai Bufe" offering steam table staples of gluey orange sweet and sour pork, stir fried meat on mediocre rice, and spaghetti adapted into a brown, soy flavored noodle dish. Cheap chow to fill up the Magyar working class (remember the working class? Karl.... we're still waiting for that revolution you promised!) Most of these places are franchises offering the same menu, cooked by people who are not chefs. If you want real Chinese food, you are better off at the food stands at the Four Tigers Market. If you want to eat decent Chinese in Budapest while sitting down at a table with chairs, you will eventually wind up at the Lanzhou, a small Chinese joint located just off of busy Rákosi utca between Blaha Lujza tér and Keleti Train station.
The Lanzhou serves hard-core, authentic Northern Chinese cuisine, which is a far cry from the Cantonese and Fukien style southern Chinese food that we eat in the US and in Western Europe. The reason is simple: Budapest doesn't have the economy to attract emmigrants from the better off regions of South China. Most of the Chinese here are involved in the export of cheap commercial goods via rail from Beijing and North China, and their cooking reflects the heartier noodle and dumpling traditions of a colder region. In most Budapest Chinese restaurants you might find all those classic Chinese dishes, but they are being cooked by Northerners, which is like ordering Sicilian food in a Norwegian resturant. Not a good idea. The Lanzhou, however, is one of those special "the Chinese eat there" eateries, and the cooks actually are trained in food and come from northern China.
Often you can see a table of a dozen or more Chinese folks chowing down at Lanzhou, and it pays to watch how they eat. The Lanzhou is essentially a budget banquet resturant, the kind of place you take your friends or business colleagues out to for beer and food. The menu reflects this - there are about five pages of cold and hot appetizers before you even get to any entrees. The northern Chinese drill goes like this: the table orders a slew of small plates to nibble with beer (no rice is offered during this phase) and after a couple of hours of this, the table orders a few hot entrees with rice or noodles to finish the meal. In the pic above we have spicy cabbage salad, gizzards, celery with garlic, and tripe dishes.
My favorite, leaf tripe in spicy oil. When Fumie goes out to Lanzhou with her Terrifying Girlfriend Posse, they order by rote and I never get to eat any of the stuff I like, such as tripe. (Judit actually has the menu memorized by the menu numbers of the dishes!) Or duck hearts in hot oil. Gizzards... maybe... (pic below) because Fumie likes them since they are cooked Asian style - stewed only to the point of crunchy doneness. Don't expect soft, long cooked innards here... The guts sing at Lanzhou.
Another favorite of mine is the soy sauce cooked pigs ears... seen here in front of a plate of chinese siu-jiao dumplings. Hmmmm... crunchy ears!
And the pork just keeps on coming... sliced pig belly in sesame oil...
As befits a northern Chinese resto, the Lanzhou also offers a selection of Hui (chinese muslim) style dishes, albeit mostly on the Chinese language-only specials menu. Hui dishes usually substitute mutton for pork. Lanzhou is also a region famous for its noodles, and the Lanzhou hand-pulls its own house noodles (the beef noodle soup is good) and also offers "shaved noodles" - a lump of noodle dough is sliced into primitive, longish strips and stir fried with mutton and veg. (These are listed back in the noodles section of the menu... ask the waiter) Another stand out dish is the Chinese "potato salad" (seen below.)
This is something you don't find in Cantonese restauarants. Thin sliced potato is flash boiled in hot water and then immediately rinsed in cold water, then dressed with sesame oil. Easily one of the most distinctive items on the menu, one dish is enough for two people, but not more unless you want to order another plate.
Members of the Terrifying Girl Posse studiously avoiding the plate of gizzards and going for dumplings. They look tough, but they really aren't. After a set of small dishes we usually order some spiced eggplant, hot and spicy lamb, and chinese fresh green vegtables, usually a plate of ku tsin tsai (water spinach) or cao tsai (bok choy) depending on what is in season - ask the very professional Hungarian waiters, who probably know more chinese kitchen vocabulary than anyone else in the Uralic world. Be aware, also, that if you order the whole fried fish you will get an authentically wok-fried whole... carp. Ok, maybe you like carp. Entirely authentic. Maybe that is what you wanted for dinner. Just sayin... One word of caution, however: by the end of the night there is the ...er... rice problem. A banquet style resturant doesn't usually give two hoots about the quality of its rice... rice is more of a ceremonial afterthought. Sometimes the rice here... has sucked after nine PM. Sorry, but true. So if you - like me - are dining with Rice Fascists, be warned. Or just fill up on noodles. Expect about FT 3500 per person.
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Friday, April 18, 2008
Friday Music! Dennis McGee: Old Style Cajun Fiddle
I've been writing too much about food and Nazis, and not enough about music. Ok, time to take a listen at the upside of things. From now on Friday will be Music Post Day, and I'll try and post something musically oriented to perk up all those jaded ears out there. I'm a fiddler, and although most folks know me for playing old style klezmer and east European fiddle styles, I got my start playing old style American folk fiddle. Although I got my first fiddle as a gift from my
Uncle Jozsi here in Hungary (a $16 Czech violin set bought at the Trial Zene Bolt at Blaha, which is still there. And I still have that fiddle, which isn't that shabby, either.) I learned my fiddling during the folk revival going on in the US during the 1970s, when a lot of the old timers were still alive and playing music and teaching a younger generation. One day I picked up a copy of the US folk music publication Sing Out! and there was one of those floppy vinyl insert recordings included which feature the music of Dennis McGee and S. D. Courville playing an old Louisiana Cajun fiddle tune called Mon Chere Bebe Creole (a few seconds of which can be heard here at track 22.) In an instant, my musical world changed, and hasn't quite been the same since. The magic of one scratchy violin erased my yearning for searing rock guitar solos, long Grateful Dead jams, fusion drum solos, just about everything that my teenage social scene defined as cool music. This recording, made in 1929 of two fiddles and with one vocal soaring above the driving melody was all I needed to put me into the O(ther)-Zone, a sound I have been reaching for in the decades since. The musician was a Lousiana Cajun fiddler named Dennis McGee who was already considered to be an quaintly archaic holdout of old-style French Cajun fiddle when he was recorded playing burning duet fiddle with S.D. "Sade" Courville in the late 1920s.
A lot of the music recorded on 78rpm gramphone records back in the 1920s proved to be the last of their its kind. Although commercial recording was still a novelty, low-tech down home music makers would soon give way to a slicker style that could compete in record sales. Dennis and Sade were considered living museum pieces when they began recording in 1928. Dennis was born in 1893, to a Cajun-Irish father and a half French, half Seminole Indian mother. Most of the tunes Dennis played he had learned from his grandfather, who had been born in the 1830s, and whose repetoire consisted of the older French parlor dances that morphed into the full voiced, melodic rythymic Cajun fiddle style over the 19th century befpre the adoption of the single row button accordion in south Lousiana around the turn of the 20th century. Dennis recorded dozens of 78 rpm discs into the early 1930s, and then disappeared from public view, working as a sharecropper and barber and playing for weekend dances and family events. What sets Dennis apart from so many of those musicians whose sound emerges ghostlike from those old shellac records is that Dennis (and Sade, as well) didn't just disappear and die leaving no legacy. No, Dennis lived to be 97 years old, playing nearly to the day he died, touring, teaching and recording his old tunes for prosperity, before passing away in 1989 having taught three generations of musicians the old style fiddle of his younger days. As Michael Doucet once said "Western Civilization has the Rosetta Stone. CajunMusic has Dennis McGee.
That's Dennis and Sade on the cover of a CD reissue of their older recordings. Amazingly, they continued playing into the 1980s together (Sade passed in 1988, a year before Dennis) and recrorded again in the 1970s. that session can be oredered from the Field Recorder's Collective in the US, and outtakes from that session can be found at the "Hadacol It Something: Cajun MP3" Web site (scroll down about two thirds of the way down the page.) Dennis also played with the legendary Creole accordion player Amedee Ardoin, and several recordings exist of the two of them, such as this version of the Blues du Basile. At that time, there was little stylistic difference between old style Cajun and black/creole french music, and although Amedee met a sad end later in the 1930s, his music went on to influence both the early Zydeco styles as well as being pivotal to the rebirth of the accordion in the 1950s when musicians such as Iry Lejeune resurrected Amedee's old records as Cajun hit material.
Amedee even has a Myspace page with tunes played by him and Dennis. If you are wondering how to make your fiddle sound like this, look at how Dennis holds his fiddle bow - he stuck his pinky finger in between the hair and the wood at the frog, and draped his rather humoungous fingers over the bow, probably an old habit dating to the days when home-made fiddle bows were tensioned by hand. Watch this video from the 1982 documentary "Cajun Visits" ... and marvel at Dennis re-enacting the bustle of an old time cajun house dance, complete with shouted commands to the dancers.
The foremost student of Dennis McGee was Michael Doucet, fiddler and leader of the Cajun band Beausoleil. Here Doucet tells some stories about touring with Dennis - slightly toned down from some of the tales I have heard. On the guitar is Dennis' son, Gerry McGee, better known as the guitarist for the legendary surf rock band The Ventures.
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The foremost student of Dennis McGee was Michael Doucet, fiddler and leader of the Cajun band Beausoleil. Here Doucet tells some stories about touring with Dennis - slightly toned down from some of the tales I have heard. On the guitar is Dennis' son, Gerry McGee, better known as the guitarist for the legendary surf rock band The Ventures.
Sunday, April 13, 2008
Geoff Berner Goes Nazi Hunting in Budapest
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Tuesday, April 01, 2008
Spring in Zagreb: Dolac Market
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