Honeyboy Edwards is, at 91 years old, essentially the last living representative of the pre-WWII Mississippi Delta blues scene. Edwards is credited with the original compostition of the classic "Sweet Home, Chicago." He was born in the same year as Robert Johnson and Muddy Waters, and in fact Honeyboy was with
Robert Johnson on the night that Johnson drank the poisoned whiskey that killed him. Honeyboy learned a lot of what he knows from being around now legendary musicians like Charlie Patton, Son House, and Tommy Johnson. Since Aron has been listening to blues music all his life (he got the collected works of Robert Johnson for his tenth birthday, along with a bottleneck slide) I figured this might be his only chance to hear somebody from that older generation in person. When I was a kid learning guitar, I was lucky that people like the Rev. Gary Davis, Pink Anderson, and Brownie McGee were still making the rounds of folk festivals and clubs - they had a big influence on my guitar teachers and on me - I still mainly play in Piedmont style, rather than Delta. I once met the blues fiddler Howard "Louie Bluie"
Armstrong and yes, at the age of 86 he could still speak Hungarian (Armstrong was raised in a West Virginia mining town among Polish and Hungarian kids. He could also speak Chinese...) When I was Aron's age I went to hear the Preservation Hall Jazz Band play at Lincoln Center, and went backstage to meet the musicians. They were pretty astounded to meet a kid at this show, and one very ancient gentleman offered me my very first sip of beer - Tom Robinson, who had played trombone in Buddy Bolden's Band and in the Eagle Band in New Orleans in the 1890s. Now, I've hung with some amazing musicians in my life - Fela Kuti, Lester Bowie, Dave Tarras, Bill Monroe, Dewey Balfa, Junior Murvin, Itzhak Perlman, to name a few - but getting your first beer from a member of Buddy Bolden's band is the kind of mojo that stamps you for life. You got to shake the hand that shook the hand... And Aron has been pretty serious learning guitar this last year, so we both had to go. This would be Aron's Mojo Bar Mitzvah...
I thought we would just pop in and be gone, but no. Honeyboy likes to talk. You put a 13 year old next to a 91 year old, and they talk... and talk... and talk.... Mr. Edwards is a real gentleman and a charmer. He reminisced about his father, a fiddler "Yeah, man he would push the bow... they would play songs like Corinna, they would dance them stomps...." and how he fared when he was on tour in Japan "They eat that fish, you know, like raw fish, I don't eat none of that. And all that chinee food - I don't eat no chinee food. So what we did, you see, we found us a store. They had hot dogs, they had bread, they had onions, we took that back to the hotel. They had a kitchen in the room, and we just cooked that and ate real good for three week, cause I don't eat none of that chinee food...." Boogie was also backstage, and had his guitar autographed by Honeyboy (he plays the same model Johnson Resonator as me...)
Gál "Boogie" Csaba has been playing traditional country blues guitar since way back - I met him in 1990 at the old Tilos az A, and played on one of his CDs with Dr. Walter's band. A couple of years ago, in what may be the most subversive use of Hungarian television in country blues history, Boogie entered the incredibly tacky Megasztar reality TV competition... and became one of the finalists. Overnight, people who never heard real blues were scarfing up his CDs - hardcore country blues all of them... Every time they aired the talent show concerts he's pull out his metal resonator guitar and blast out some incredible take on Kokomo Arold or Furry Lewis. It was wonderfully absurd. So Aron was pretty tickled to find out that the reality TV show star is another of Papa's old buddies. Wait til they hear about this at school!
Friday, October 27, 2006
Shake the Hand that Shook the Hand
Tuesday, October 24, 2006
Some Maniac is Driving a Tank Outside the Burger King!...
Yesterday was the 50th anniversary of the Hungarian Revolution of 1956. Normally, I would prefer to wax poetic about other features of Hungarian life, such as lángos or kolbász, but yesterday we in Budapest experienced another deeply Hungarian national cultural impulse - the uncontrollable urge to go batshit insane in the streets and throw things at policemen. As such, what should have been a solemn and dignified day of national unity and remembrance was turned into a politically inspired theatrical parody of the events of 1956. At dawn, police forced the demonstrators to leave the area around Kossuth ter, and subsequently found evidence that rather primitive weapons were being made in the tent city they had left behind. (Images from www.index.hu)
As previously mentioned, various right wing groups have spent the last month camping out in front of the Hungarian Parliament demanding the resignation of Prime Minister Ferenc Gyurcsány. It's a fascinating epic - Gyurcsány was caught on tape (secretly recorded at a closed session of the Hungarian Socialist Party soon after winning re-election last May) admitting that he lied about the economy in order to get elected. (In fairness, in the context of his speech he admonished his fellow party members that lying is not a good thing, and used rather salty language to get his point across.) Gyurcsány then further outraged Hungary's right wing by calling for, and then winning, a vote of confidence in the Parliament.
The demonstrators left the Kossuth ter area and fanned out through the downtown, first tanking up on beer at the Corvin Theater complex, and then eventually facing off with the police around downtown Deak square, about 500 meters away from the FIDESZ rally being held at Astoria square. As you can see, skinheads were in good supply for the days excitement. Where have these guys been hiding for the last few years, anyway? Skinheads versus Budapest police - my God, the combined IQ numbers may have reached the triple digits!
Demonstrators were ordered to disperse, and when they defied the orders, the police went into riot mode, using water cannons and tear gas to disperse the crowd. Somebody commandeered a tank - on loan from a museum - jump-started it with car batteries and jumper cables and started driving it around. It didn't get far - it only had about a liter of fuel - but you can imagine the reaction of the cops. As we say in the States, they went postal... Things went downhill fast from there.
Crowds chanted "56! 56!" in the streets, but there are some major differences. The 1956 revolt was against the secret police force of an appointed Communist party in the service of a foreign occupation army. The 2006 "revolt" was against the civil police force of a democratically elected government. One of the official demands made by the Kossuth tér protesters is that Fradi - the preffered footbal team of Hungary's right wing (they do Nazi salutes when they get a goal) - should be reinstated into Hungary's premier league after getting knocked down to the second division for financial mismanagement. That wasn't really an issue in 1956.
The striped "Arpad Flag" again. The Hungarian web forums are very busy discussing what the striped flag actually means - but we all know it is the adopted symbol of the more severe right-wing skinhead and nationalist groups, and its use has become increasingly widespread since the September 18th attacks on the Magyar Television building. Soon the police and demonstrators were squared off at two main points - Blaha Lujza square and the road between Astoria square and the Erzsebet Bridge over the Danube.
The cops shot rubber bullets and tear gas at the crowd, who tossed the tear gas back at the police. It was angry and hateful, which is to say a relatively normal state of affairs in Hungary these days. Barricades were set up from construction materials and burning trash cans. The situation remained a standoff until dawn, when police used trucks to smash the barricades and the crowds dispersed.
Right now, the TV is full of talk shows analysing the situation, and as I listen now the shrill honking of Orban Viktor's voice is repeating his one-message-wonder speech about how Gyurcsány is a lying cheating bastid... but for a better sense of just how insane the world of political life is in Hungary, check out this article by Edward Lucas, the Central European correspondent for both the London Financial Times and the Economist. When he asks both FIDESZ and the Socialists about their economic plans, both parties gleefully admit that they lied to win elections. Its a hoot, but a sad one. About 150 injured - mostly demonstrators, many police as well. And more than ever, Hungarian popular opinion is divided and polarized beyond any hope of constructive dialog. Hungarians are attracted to all kinds of conspiracy theories - X sent secret provocateurs to set up Y, thus implicating Z - and the media is stocking up on some wild ones following yesterday's events.
Aron and I played it safe yesterday... we stayed home and watched Battlestar Galactica. Happier themes coming soon..... kajalás... chow time!
Saturday, October 21, 2006
Pleskavica at Castro: 1956 gets derailed....
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Sunday, October 15, 2006
Vioară cu goarnă, or if Hendrix played fiddle....
The vioară cu goarnă is the bastard child of the stroh violin, a hybrid resonator violin developed in the early 20th century in order to allow violins to be recorded by the primitive technology of early gramophone recording studios, which did a pretty bad job of recording violins. By setting a resonator (like those on a dobro or national guitar) under the violin bridge, the string vibration is carried to a metal or vinyl membrane, and then out through an attached horn, often butchered from an old bugle. They are made locally: here's Doctorul Pom Collins in Bratca examining the psychedelic white vioară cu goarnă that I bought from Mihaly Rostas last June:
The result is singularly loud and severely directional. If you stand in front of the fiddle, it sounds like Jimi Hendrix playing with feedback. If you are just off to the side you can hardly hear it, so the fiddlers swing their bodies around while playing, to get a wild wah-wah doppler effect. If you are behind the horn, as in playing it, you can barely hear it all. Mircea Rostas was at Negreni selling fiddles again, along with his wife and Traian Ardelean, one of the best Gypsy players. You could hear then a half a kilometer away.
When played well it is the only fiddle that can overpower an accordion, sax, and drum band outdoors, without the help of any form of amplification.
No one really knows how the stroh violin got to Romania, but legend has it that it was brought back by Romanian emigrants from north Dakota returning to Romania. In the 1930s the Great Depression was in full swing, and Romania was one of Europe's wealthiest economies, so a lot of Romanian immigrants came back, bringing the extremely loud stroh violins, and soon local musicians were copying them. Today, Dorel Cordoban from the village of Lazuri (near Rosia) is one of the best makers and players. He still prefers to tune his fiddles in the traditional local way - the G string, usually the lowest note on a violin, is replaced with an A string tuned up an octave to high G.
I've known Dorel and his family since 1990, when they were one of the first groups of Romanian folk musicians to play at the Hungarian National Dance House Festival, and they stayed at my apartment then and many other times afterwards. When Fumie first came to Romania with me, she bought her entire winter wardrobe from Dorel's wife Florica. They are a wonderful couple who really enjoy life and never travel without some of their best home-brewed plum brandy. In Bihor, pálinka accompanies every social event. As you can see, Florica is very proud of her pálinka.
Dorel invited us to a local festival in Oradea the day after Negreni, and it turned into a huge parade of Bihor folk groups dancing around the city center, with Florica and Dorel and the villagers of Rosia leading the parade.
To hear the sound of the vioară cu goarnă try a few of these links (click on the link to go directly to MP3 media files.) From Prof. Robert Garfias' excellent Ethomusicology Kiosk Page there is a whole page about Bihor Music, including one cut on vioară cu goarnă, the Maruntel Din Valani. The Fono, a Hungarian cultural center, sponsored a series of Transylvanian village bands several years ago in the Utolso Ora Series ("Last Hour Series" reffering to the small amount of time left to hear such music. Their website is in Hungarian, but if you go to "terkép" and click on the map, you can eventually navigate your way into hours of Transylvanian traditional field recordings from all of Transylvania's ethnic groups.) They included some music played by Sumalan Stefan, from Halmosd, including a maruntelu, a classic învârtita and a jaunty schiopu. There is also a video RAM file of Jelu Covaci (who was also at the festival in Oradea) at the French world music magazine website, Mondomix.
UPDATE (2.21.2007) Several short videos of vioara cu goarna being played by Ghica and Dorel can now be found on my Youtube page.
Thursday, October 12, 2006
Negreni II: Mici
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Tuesday, October 10, 2006
Negreni: "Excuse me, is your name Gabor?"
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While drinking a beer, one Gabor family sat down with us - this is direct marketing, remember - and eventually the wife of the family began to ask for money. Look, even Gabor Gypsies beg. The old man asked me "Won't you give something to help the poor Gabors?" I answered "Well, the Gabors aren't famous for being poor." The old guy looked around, cracked a smile, and said "Yes. You're right!" They are some of the friendliest people I have known in Transylvania.
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