Since we traveled to Bucharest on the overnight train, we had to bring the small portable cimbalom, and I borrowed a cobza from Beatrice Iordan of the band Trei Parale, whose husband and band mate, Florin, actually works at the museum as a folklorist. The Museum Club was a great venue - Romanian folk furniture, tables, very cozy, a great bar. There doesn't seem to be a huge traditional folk music scene in Bucharest - apart from Trei Parale, who focus on flute and historical ballad traditions, and often present their music at early music festivals and rennaisance fairs. When we played within the Moldavian and Transylvanian styles of Jewish music it was pure joy to watch the faces in the audience. They don't often get much Transylvanian string band music down in Oltenia, it seems. Friday, November 13, 2009
Back From Romania: Concert in Bucharest
I'm home in Budapest after spending a week in Romania enjoying the shitty weather and the excellent tripe soup. Di Nayes were invited to play a concert at the Museum of the Romanian Peasant in Bucharest, sponsored by the Austrian Cultural Institute as a series of Klezmer and Jazz concerts. I invited the formidable young fiddler Jake Shulmen-Ment along - he's been living in Paris this fall. After all, if you are playing Klezmer in Bucharest, why not do it right? And since Jake works off the same sources for his music as I do it made for an extremely fun, very Romanian concert.
Since we traveled to Bucharest on the overnight train, we had to bring the small portable cimbalom, and I borrowed a cobza from Beatrice Iordan of the band Trei Parale, whose husband and band mate, Florin, actually works at the museum as a folklorist. The Museum Club was a great venue - Romanian folk furniture, tables, very cozy, a great bar. There doesn't seem to be a huge traditional folk music scene in Bucharest - apart from Trei Parale, who focus on flute and historical ballad traditions, and often present their music at early music festivals and rennaisance fairs. When we played within the Moldavian and Transylvanian styles of Jewish music it was pure joy to watch the faces in the audience. They don't often get much Transylvanian string band music down in Oltenia, it seems.
Bucharest is being reconstructed from whole cloth these days, with a lot of major road work disrupting any attempt to get from point A to point B. Bucharestians can be seen carefully dancing their way around all manner of obstructions as they attempt to navigate the streets and sidewalks. if you have to get anywhere, take the Metro. Bucharest traffic at evening rush hour is horrendous. But Bucharest itself has come a long way from the urban hell hole we remembered from the early 1990s. The shops are smart, lots of trendy bars and cafes, good restaurants, definately not the Bucharest I remember from fifteen years ago when all was grey and dreary. Believe me, in the 1990s Bucharest was one of the least attractive cities in the world. That's changing, but it takes an awful big heart to love Bucharest. The dreariest building of all is the former Palace of Nicolae Ceauşescu , now the Palace of the Parliament.
Started by order of the increasingly unstable Nicolae Ceauşescu in 1984, the construction of the Palace required demolishing much of Bucharest's historic district, including 19 Orthodox Christian churches, six Jewish synagogues, three Protestant churches (plus eight relocated churches), and 30,000 residences. According to the Guinness Book of World Records, the Palace is the world's largest civilian administrative building most expensive administrative building, and heaviest building. But the newer Bucharest is a series of surprises, especially if you knew the old one. On the up side, I found Europe's best hamburger in a small "French" bistro on Piata Romana, a place that advertised itself simply as "Soups and Meats."
The bun was a bit tough but the meat was perfect... good beef, medium rare. Hungary doesn't have a single eatery that can produce a burger anything like this... none of us know why... it is so sad... but Bucharest definately takes the blue ribbon for east European burgers.
There were non-burger items to try while I was in romania, but more on them later... I never rush a post when discussing tripe soup and ground spiced meatwad products like mici.
Since we traveled to Bucharest on the overnight train, we had to bring the small portable cimbalom, and I borrowed a cobza from Beatrice Iordan of the band Trei Parale, whose husband and band mate, Florin, actually works at the museum as a folklorist. The Museum Club was a great venue - Romanian folk furniture, tables, very cozy, a great bar. There doesn't seem to be a huge traditional folk music scene in Bucharest - apart from Trei Parale, who focus on flute and historical ballad traditions, and often present their music at early music festivals and rennaisance fairs. When we played within the Moldavian and Transylvanian styles of Jewish music it was pure joy to watch the faces in the audience. They don't often get much Transylvanian string band music down in Oltenia, it seems. Sunday, November 01, 2009
Halloween in Hungary
We don't do Halloween in Hungary. We have "All Saints Day" - known as "mindszentnap". Hungary is a Christian nation, give or take a few hundred thousand Jews (like me) Muslims (like them) and Buddhists (like the band Belga) but by and large Hungarians are not a very practicing religious lot. Most religious holidays are taken as days off, shoppping holidays, a time for family meals, and Hungarians are not generally attracted to hard core fundamentalism or religious revivalism. Christmas and Easter are celebrated but generally are occasions for family get-togethers. The biggest religious holiday, however, may be November 1 - All Saint's day - when everybody heads out to the cemetery to lay wreaths and light candles for the Dead.
Everybody. The crowds were insane. Essentially, it is the celebration of the Hungarian Ancestor Cult. Which is actually the most genuine form of family worship you can find. There are traffic jams at all the cemeteries and flower sellers gang up at the intersections. Everybody gears up to tend the family grave sites. No cost is spared. If you die Hungarian, you can at least expect a day each year where your family tosses some serious cash for you.
Grave tending is hard work. And you don't attend to it every day. We stopped into a local grocery for some water and we saw a special on gravestone cleaning fluid. This is not something you would find in an American Walmart.... "Gravestone Cleaner"
We rode our bikes yesterday a few miles west out to Rakospalota and just happened to be by one of the main cemeteries, which is on the way to the Polus Center, a spectacularly sad shopping mall that has one of the only Army Surplus stores left in Budapest (cheap army cargo pants are hard to pass up.) People crowded the streets, flower and candle sellers did a huge business, and we had to check out the action inside the boneyard... Candle lighting is very important on All Saint's Day - if you travel past a cemetery at night it is like a pre-industrial light show. The interesting discovery were the specialized glass grave houses that Gypsy families erect to protect their graves from the elements.
The names on these graves are from the Lovari Gypsy family groups - some of the most traditional of the Roma tribes in east Europe. They maintain very specific traditions about keeping things "Roma" separate from things not Roma. Such as grave space. And so they erect these huge glass houses over their graves. Some of the graves had Roma-specific symbolism like horses carved ointo the stones: this person,with the very Lovari name of "Raffael" was nicknamed "Benga" - "devil". Lest we forget...
I dont really miss Halloween - the trick or treating thing has never caught on in Europe and I don't really miss it, but the costume party aspect of the holiday has been growing. Hey - who doesn't want another excuse for an office party? But I really respect the Hungarians' strong hold on the tradition of All Saints Day. You may be gone, but you ain't forgotten.
Wednesday, October 14, 2009
the National Cake of the Year! Flóra Cukrászda, Zugló
Monday, October 12, 2009
Big Night in Budapest: The Naye Gig with the Técső Band
Our concert of Di Naye Kapelye with the Técső Band at the Budapest Palace of Arts on October 1 went well - considering the logistics of getting everybody together, rehearsed, and playing while speaking in in six languages simultanesously. The operative languages in this group are mainly Hungarian and Hutsul Ruthenian, although I speak rudamentary Romani (Gypsy) with Ivan, the Técső fiddler, who is the only member who doesn't speak Hungarian. Yankl speaks a bit of Magyar, but since he hadn't been in Hungary in four years it was justifiably rusty. Six languages per rehearsal or gig. Just try that in your local bluegrass band.
It was a blast just leading a band of this size - something I have only experienced while teaching Klezmer music workshops, in which case it isn't like you are really fronting a band as much as leading the High School orchestra in band practice. I think this was also the first time the Técső Band played a full blown concert hall - they usually play folk festivals and bars, but they were mighty impressed with the hall's acoustics and the blue ribbon treatment that one gets backstage at the Palace of Arts.
When you have that many musicians - and none of us play from music notation - you've got to get a rehearsal in, just to shake out the bugs and eliminate those awkward surprises. When I was just starting out in music there were bands that I played in where everybody would just stop onstage and look at each other when somebody missed a cue or made a mistake. A professional musician is not necessarily guaranteed to not make a mistake now and then - he is paid to act like it never happened.
The evening before the concert we had an open rehearsal in the basement of the Siraly in the seventh district, mainly to run through the tunes we would play together. After a while friends drifted in and we ended up playing for a full blast klezmer dance session. Veteran Klezmer dance teacher Sue Foy led the freylakhs, and it wasn't surprising that Joska joined in seeming to know the dance already.
We also had both of our clarinet players along for the ride. When you really want to blow an audience away, use two clarinetists and two lead fiddlers. Works like a charm. Our main man when playing internationally is Yankl Falk, from Portland Oregon. But Yankl can only get to Europe for the longer tours, so a lot of the local work is taken by Janos Barta, who was one of our first clarinetists and who now leads the Veszprem Klezmer Band.Tuesday, September 29, 2009
Di Nayes and Técsői Banda at the Budapest Palace of Arts: Thursday October 1
On Thursday, October 1, Di Naye Kapelye plays a concert with the Técsői Banda at the Budapest Palace of Artists. This is a pretty rare event - due to the arcane atmosphere surrounding anything involving Jewish music in Hungary, we rarely give public performances in Budapest. Our last formal concert was, I believe, in 1998. We tour all over Europe, we play for local Jewish community events (Hassidic weddings, brisses, call for special rates!) and we sometimes play the unadvertised Budapest seventh district underground club networks. We do play an occasional festival or concert gig outside of Budapest. But Budapest itself... well due to circumstances far beyond our control, is kind of off limits to us. Buy me a beer sometime and I can explain it in person. It's... Hungary... It is a surprising and convoluted tale. So this particular concert - at the grand and fancy "MuPa" - is a welcome chance to play for our home town fans and friends who otherwise only know us from our packaged digital CD selves. Yes: we actually do exist on an analog plane.
It is kind of neat to walk around town and see your face on a poster on every downtown street corner - sort of a minor rock star moment. Very minor. A little unnerving too - Budapest is not a place I want to be seen as a celebrity. Anytime I show up on some recycled TV folk music show taped a decade ago my whole neighborhood goes into ga-ga celebrity mode and suddenly i walk into the butcher shop or try and buy asparagus and I get confronted with "Mr. Artist! (yes, this is how they address you, without any sense of irony and with full celebrity awe) I saw you on the TV last night!" I cherish my local anonymity. But standing in front of paying audiences playing fiddle is what I've done my whole life. People keep asking if I get nervous playing concert halls. My usual answer is: no - stick me behind a fiddle and I am fine - but if you ask me to take the controls of a small airplane and land it after the pilot has had a heart attack, that's where I would get nervous. Playing rural Moldavian Jewish fiddle is what I do, whether in my living room or in front of six thousand screaming drunk Belgian folk music hippies (a distraction factor equivalent to playing for twenty talkative and drunk Vizhnitzer Hasids.)
Playing with the Técsői Banda is a thrill - these are traditional musicians who still play in a context in which their music isn't "folkorized." I have to mash the two ensembles together at a rehearsal tomorrow night and fine tune the beast, but it should be noisy and ragged but right. When we recorded the newest CD, "Traktorist" I had the idea of using a couple of the Carpathian Jewish tunes that I had learned from the Técsői Banda, and then suddenly they showed up in Budapest so I took them into the old Hungarian Army Choir studios and we recorded the pieces that are used on the CD. It was the last time I played with the tsymbaly/cimbalom player Misha Csernovec, who passed away a few months later. The band has been working as a trio ever since, but will be using our cimbalom player a bit at the thursday concert. But Misha is sorely missed - he was one of the best traditional hutsul tsymbaly players, and they aren't making them like they used to any more.
I have to run out and pick up Jack "Yankl" Falk at the airport in the morning. Yankl lives in Oregon, in the far distant USA, and when we have a major gig we fly him in. He's been busy the last two weeks - as a freelance hazan, a cantor specialized in singing Jewish liturgical music - he usually travels to sing at Jewish congregations for the high holidays of Rosh Hoshanna and Yom Kippur. This year he just finished a gig in Indiana, and in the past he conducted services for the US Naval Academy at Annapolis, Maryland: Anchors OyVey! Yom Kippur ended yesterday, so Yankl first flew back to Oregon and then hops on a plane to Budapest. I expect he's gonna be run ragged by erev shabbes.
And what do you feed an observant Jew? Kosher cold cuts and sausage from the Orthodox Kosher butcher on Dob utca, of course. Having traveled all over Europe on tour with Yankl, you eventually get the knack of feeding your furry frum friends. We have made pit stops at virtually every kosher food shop in Europe during our many tours, and even fended off the dreaded "kolbász Maasai" in the town of Gouda, in Holland. (It was actually Árpi Bácsi, our 73 year old guest cimbalom player from Transylvania. The nomadic Maasai of Kenya believe that all the cattle in the world belong to them and that by raiding other tribes' cattle, they are simply reclaiming what is already rightfully theirs. Uncle Árpi felt the same way about kolbász. Any and all kolbász.)I found this little video on Youtube lately - a bit that wasn't used in the final cut of the film "The Last Kolomeyke" - me and the Técsői Banda singing Michael Alpert's song "Chernobyl" together at the Castro bar a few years ago. This was in a bar late at night. Now you can see why I never, ever allow myself or any of my band members to step onto a formal stage after having had anything to drink. It really doesn't make the musical experience noticeably better... A little bit of the film - which has aired on Hungarian TV and is actually a very well done documentary, is the cut below:
It is kind of neat to walk around town and see your face on a poster on every downtown street corner - sort of a minor rock star moment. Very minor. A little unnerving too - Budapest is not a place I want to be seen as a celebrity. Anytime I show up on some recycled TV folk music show taped a decade ago my whole neighborhood goes into ga-ga celebrity mode and suddenly i walk into the butcher shop or try and buy asparagus and I get confronted with "Mr. Artist! (yes, this is how they address you, without any sense of irony and with full celebrity awe) I saw you on the TV last night!" I cherish my local anonymity. But standing in front of paying audiences playing fiddle is what I've done my whole life. People keep asking if I get nervous playing concert halls. My usual answer is: no - stick me behind a fiddle and I am fine - but if you ask me to take the controls of a small airplane and land it after the pilot has had a heart attack, that's where I would get nervous. Playing rural Moldavian Jewish fiddle is what I do, whether in my living room or in front of six thousand screaming drunk Belgian folk music hippies (a distraction factor equivalent to playing for twenty talkative and drunk Vizhnitzer Hasids.)Saturday, September 12, 2009
The Wonders of Fabled Nyíregyháza!
Monday, August 31, 2009
Pizza. Pizza... Did I Say Pizza?
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