Monday, August 31, 2009
Pizza. Pizza... Did I Say Pizza?
Friday, August 21, 2009
We Own All the Salt Cod in Hungary. All of it.
Hungary doesn’t really have anything approaching a “summer cuisine.” In summer, Hungarians eat the same thing they do in winter – soups, stews, things sautéed in paprika – but usually just a bit less. Vegetables are an afterthought, and fish is mainly carp, usually boiled into fish soup. We do not like carp. Fumie comes from Tokyo, I come from New York, and both of us were brought up next to fresh fish from the sea. Carp are fresh fish from irrigation ditches. How do we survive? Salted cod. Baccalà, bacalhau, bacalao, morue. We hoard the stuff.
In our home we maintain what may be the the largest stock of salted cod in Hungary. It may be dangerous to say this openly - I can imagine hungry employees of the Portuguese embassy laying siege to my flat – but at any given time I probably have at least two kilos of non-perishable salted codfish in my fridge. Whenever we travel abroad I try and pick up a kilo or two, and my Mom helps by sending me some from the United States of New Jersey from time to time. I often wonder what the customs officials think when they find the bacalao packages – do they even recognize that this stuff is fish?
Well, yes, it is fish, in fact, it isn’t even very strange fish, but the secret is in the salting and the soaking. Salted cod was developed during the middle ages in order to preserve fish to be packed inland from the sea. Since Catholics abstained from meat on Fridays and during Lent, salted cod became a valuable commodity, and evidence shows that Basque and English fishermen were catching cod off Newfoundland at least fifty years before Columbus sailed for the Indies. Not only were they catching cod, they were salt drying it, a process that can only be done on land. The cagey Basque and Bristol fishermen were not about to tell everybody where their fishy gold mine was, although Columbus himself spent several years sailing in the Northern Atlantic and probably knew of the Grand Banks fishery. It wasn’t dreams of gold and spices that drove the Europeans to sail west – it was dreams of cod, almost as good as gold.
Sadly, the amazing Atlantic cod fishery is over - the Grand Banks stocks collapsed in the 1990s, due to overfishing by factory ships using nets which destroyed the ocean bottom structure that provided the cod with breeding grounds. And it doen't look like the fish are ever coming back. Cod is no longer the cheap fish it was when I was growing up - it has become nasty expensive, in fact. What used to be a poor man's food is now one of the more pricey ingredients in traditional mediterranean cuisines. A good staring point for all things salted cod would be Mark Kurlansky’s Cod: A Biography of the Fish That Changed the World - a hard to put down mixture of history and recipes.
The secret to good salted codfish is in the soaking. An overnight soak in water leaches out most, but not all, of the salt. Many recipes require a day long soak, but the result is bland, so we like to keep a bit of the salty taste if I am making codfish fritters or a pasta sauce. In Portugal, most restaurants keep cod soaking in vats varying from six hour soaks to two day soaks, and the customer can request his preference.
The main characteristic of salted codfish is the texture – it is denser and meatier than fresh fish, and cod is a pretty delicate and soft white fish. In France the practice is to salt fresh cod - morue - in the market place to firm it up. We’ve done this in Hungary using Alaskan pollack fillets from the supermarket, covering them in a bed of coarse salt for a day, which essentially cooks and preserves the flesh. Then we soak them for a bit to desalinate the fillets, and poach them in hot water as we do for hard salted cod. But it is never as dense and chewy as good bacalao.
Of course, we don't eat bacalao that often, but we somehow do manage to eat intensely non-Hungarian amounts of ocean fish. Our local CBA supermarket in Zugló (the corner on Nagy Lajos and Erszébet Királyné, by the #3 tram) was recently bought by a Greek owner, who exhibits that exotic EU sense of cross border mercantilism that so is lacking in Hungarian markets (which usually stock only products Hungarians are used to eating. You like paprika? They stock it.) So far I have found real Italian salami (cheaper than hot dogs!) Italian cappelini pasta, and last week the holy grail of keeping The Tokyo Rose happy: fresh frozen sardines.
I know that "fresh frozen" is an oxymoron, but these were from Croatia at FT469 a half kilo... and remarkably clear eyed and fresh smelling when thawed - and Fumie knows how to judge a sardine by smell the way a sommelier can sniff a fine wine. Fumie had been pining for what she calls "oily smelly stinky little fish" this summer, and so now our freezer is packed with these frozen sardines. She guts them, salts them, pops them on the electric grill on our terrace, driving all the neighborhood cats crazy and probably really confusing our neighbors who have never smelled oily fish being grilled. But they are Not Carp. They are wonderful. [photo by Fumie from her secret blog]
Well, yes, it is fish, in fact, it isn’t even very strange fish, but the secret is in the salting and the soaking. Salted cod was developed during the middle ages in order to preserve fish to be packed inland from the sea. Since Catholics abstained from meat on Fridays and during Lent, salted cod became a valuable commodity, and evidence shows that Basque and English fishermen were catching cod off Newfoundland at least fifty years before Columbus sailed for the Indies. Not only were they catching cod, they were salt drying it, a process that can only be done on land. The cagey Basque and Bristol fishermen were not about to tell everybody where their fishy gold mine was, although Columbus himself spent several years sailing in the Northern Atlantic and probably knew of the Grand Banks fishery. It wasn’t dreams of gold and spices that drove the Europeans to sail west – it was dreams of cod, almost as good as gold.
Sadly, the amazing Atlantic cod fishery is over - the Grand Banks stocks collapsed in the 1990s, due to overfishing by factory ships using nets which destroyed the ocean bottom structure that provided the cod with breeding grounds. And it doen't look like the fish are ever coming back. Cod is no longer the cheap fish it was when I was growing up - it has become nasty expensive, in fact. What used to be a poor man's food is now one of the more pricey ingredients in traditional mediterranean cuisines. A good staring point for all things salted cod would be Mark Kurlansky’s Cod: A Biography of the Fish That Changed the World - a hard to put down mixture of history and recipes.
I know that "fresh frozen" is an oxymoron, but these were from Croatia at FT469 a half kilo... and remarkably clear eyed and fresh smelling when thawed - and Fumie knows how to judge a sardine by smell the way a sommelier can sniff a fine wine. Fumie had been pining for what she calls "oily smelly stinky little fish" this summer, and so now our freezer is packed with these frozen sardines. She guts them, salts them, pops them on the electric grill on our terrace, driving all the neighborhood cats crazy and probably really confusing our neighbors who have never smelled oily fish being grilled. But they are Not Carp. They are wonderful. [photo by Fumie from her secret blog]
Saturday, August 15, 2009
Cucumber Season in Zugló
The mid summer doldrums are called “cucumber season” in Hungary. Nothing much happens, everybody is on vacation, and all the newspapers can report is that the cucumbers are ripening. I'm going a bit stir crazy, and you are all invited along! We’ve been taking it easy this summer – which is to say we can’t afford any big adventures abroad this summer and are most likely to be found biking around Zugló, our leafy district of outer Pest. One of the things I most appreciate about life in Hungary are open markets. Especially Bosnyak tér out here in district XIV. When I am back in the US I enjoy the convenience of the American supermarket and the range of foods you can get, but you really cannot beat the European farmer’s market for honest, fresh, seasonal food.
In the US most people under the age of thirty have never bought meat from a real butcher. You know, the fat moustached guy who hands you a slice of salami over the counter to taste before hacking away at a hunk of cow and wrapping it up in brown paper for you? In the states, your meat is guaranteed to come wrapped in plastic with lots of stamps attesting to the free range, additive free, bio-friendly origin of the thing wrapped in plastic before you. In Hungary, as in most of Europe, we get our meat from a butcher, preferably in a marketplace where all you could ever want from a bird is available.
Chicken heads, for example. Or chicken feet. You ever wonder why your chicken soup doesn’t have that rich yellow broth action going on? Boiled chicken heads and feet. About as expensive as buying soup cubes and much, much better. Not only chicken heads, but let’s push this "Nightmare on Poultry Street" theme one step further.
How about turkey balls? Yes the word here is Hungarian for testicles. They live up inside the bird but they are definitely there, and people definitely eat them. Turkey balls are unfamiliar to me - we usually get fried rooster balls, and not only Magyars love them. I don’t actually go out of my way to search for them but I have had them fried… or as we mentioned in the spring there is rooster ball stew.
I think the unspoken subtext of this ingredient is that it is "good for men" uhhuh uhhuh... Eat a plate of avian balls and inherit the strength of a turkey? Asian folk cuisine has lots of similar concoctions "for men" but I think cobra blood or endangered species bear balls make a lot better marketing/branding strategy than one that says "Men: You, too, can attain the strength of a chicken!" Of course, when it comes to actually playing with your food, nobody can beat the butchers of Italy in the creative department:
Buying potatoes should be easy, but in Hungary we basically have one variety: the red, yellow fleshed, soft rose colored spud. If you want any other variety you have to search hard in the market. This is our onion and potato seller, who is a Hungarian Bulgarian who served in the Bulgarian army. He has... different types of potato!
Large numbers of Bulgarians emigrated to Hungary during the revolts against the Ottoman Empire in the 19th century. They introduced specialized vegetable farming methods using raised beds, hot frame houses and irrigation methods unkown in Hungary at the time, methods which are still practied and are known as "Bulgarian" gardening. Bulgarians also introduced eggplants, squash, kohlrabi, and most of our Hungarian pepper varieties. They form a significant ethnic minority and maintain their language and position in the veggie retail trade. This guy basically fell for Fumie last year when she spoke Bulgarian to him while buying onions, and now he likes to tutor us - in Bulgarian - in the details of the artillary ordinance used by Bulgarian military units in WWII. You don't get chat like that at the Whole Foods on Houston St. in the Village.
Biking homeward, we head down the former Lumumba Street. Back in 1990 most Hungarian cities went on a campaign of changing the old communist street names - gone forever were the Lenin Streets and Marx squares. Some of the more obscure lefty heroes, however, included the "Rosenberg Couple Street" right around the corner from the US Embassy, and, out here in Zugló, Lumumba Street, named for the Congolese leader Patrice Lumumba, whose murder at the height of the Cold War in 1961 pretty well guaranteed him a place in the commie street naming pantheon. Today, on Rona utca you can still see a few buildings that have never gotten around to renaming the block address markers. I kind of liked the idea of living near Lumumba Street.
Just down Rona utca (the former Lumumba St.) I saw this shop advertising "Pi Viz." I'm not sure what that is, or why one would open a shop to sell it, but in my warped bilingual mind it says "Pee Water." Something to do with "Life Energy / Life Water = Pi Water." Obviously somebody is making a killing selling water. I just thought I should mention that.
For another offering of life energy water, just around the corner is the "Base" drink shop. This is a classic example of a Budapest Booze dispensary - no frills, nothing fancy, not much in the way of fine bordeaux or Danish Aquavit or single maltwhiskies from the Gaelic speaking outer Hebrides. This is basically a dirt cheap cash and carry for drunks who don't want to pay the minimal markup to drink in a bar - just booze away in the parking lot next to the market. The sign is a good example of clear, direct advertising. Ah, Zugló, beautiful Zugló... always a pride of place and a home for everyone!
I think the unspoken subtext of this ingredient is that it is "good for men" uhhuh uhhuh... Eat a plate of avian balls and inherit the strength of a turkey? Asian folk cuisine has lots of similar concoctions "for men" but I think cobra blood or endangered species bear balls make a lot better marketing/branding strategy than one that says "Men: You, too, can attain the strength of a chicken!" Of course, when it comes to actually playing with your food, nobody can beat the butchers of Italy in the creative department:
Buying potatoes should be easy, but in Hungary we basically have one variety: the red, yellow fleshed, soft rose colored spud. If you want any other variety you have to search hard in the market. This is our onion and potato seller, who is a Hungarian Bulgarian who served in the Bulgarian army. He has... different types of potato!Friday, August 07, 2009
Árus Feri Playing My Violin! Tranylvanian Fiddle Roots.
I experienced a bit of a shock the other day when I was trolling about on Youtube looking for videos of some older fiddlers from Transylvania. I found my old friend and fiddle mentor Berki Árus Ferenc or “Árus Feri” from the village of Méra (west of Cluj/Kolozsvar) playing a familiar looking violin. Then it suddenly hit me: that's my fiddle he’s playing!Yes, that is the violin I now own and do most of my playing on. So how did it end up pixilated on the internet? It's not just a little coincidence, because it is being played by the man who was one of my life's best friends, the man who mentored me through years of learning to play Transylvanian fiddle, taught me the Romani language, accompanied me on trips to visit old Gypsy violinists who still played Jewish fiddle repetoire, who took me into his family and who once loudly introduced me to a bar full of Transylvanian Gypsies “I want you to meet my son – my Jewish Gypsy son from America!” Feri's father had played for the Jews around Cluj before the war, and Feri knew that these were the tunes I was seeking out to record, so he took it on himself to ask around among the older generation of Transylvanian band leaders on my behalf, and we used to go from village to village recording tunes - including several old Jewish ones - from fiddlers well into their 80s. Also, his wife was part Jewish, according to her WWII era identity papers, and when the Jews were taken from Méra in 1944, somewhow this one girl was hidden by the Gypsies in a hollowed out haystack. Feri used to bring her food and drink: after the war they were married, and they raised a large family of proper Romani speaking Protestant Hungarian musician Gypsies.
I’m not sure Árus Feri ever actually owned this violin – I knew him to play a couple of cracked, cheap, old brown fiddles. But about five years after Feri had died, I met a Gypsy instrument dealer in the Cluj flea market who had a few violins for sale. I wound up buying two – the one in the video, and another which I gave to Árus Feri’s talented fuck-up of a grandson who had sold his own violin. The violin seller, it turned out, was the brother in-law of Feri’s brother Béla, the accordion player of Méra. In the Romani world, everybody is related, so it isn't that mysterious that I wind up playing on his fiddle [photo by Stephen Spinder.]
Somehow, perhaps on a visit to Cluj, Árus was filmed playing on this fiddle which would someday end up sold to me. Fate works in funny ways. Like most Transylvanian Gypsy fiddlers, Árus Feri usually played on a variety of crap fiddles, but the older fiddles were prized mainly for their volume – these are cheap but loud instruments that had to be heard acoustically above a crowd of dancing, singing peasants in a village bar or marching around outdoors through the muddy village streets for processions (be patient - the music starts about half a minute in.)Árus Feri was one of the most influential musicians in my life. He taught me how to be a musician, not just a fiddle player. He would watch me play - I usually looked at my fingers when learning a new tune - and tell me "Don't play from your fingers! Play from your heart!" He taught me the inner world of Romanes – the world inside the boundaries of the Romani language. The son of the legendary fiddler from Méra, “Old Árus” who died in 1977, Feri was an extraordinary dancer who was studied by the nascent Hungarian folk music scene for his slick moves during the legényes, or lad’s dance. Indeed, there is a photograph of him dancing with his wife Rózsinéni in the 1972 National Geographic book “Gypsies: Wanderers of the World”. That picture planted the seed that eventually led me to Méra and a lifetime of screaming Gypsy violin. For a lot of Hungarian folk musicians, Árus is probably remembered more as a dancer than as a fiddler. In any case, Árus Feri was a dancer the likes of which you don't often see these days.After the fall of Ceaucescu, when Romanians could travel freely, Feri used to stay with me in Budapest quite often. He was a wonderfully pre-modern visitor. I remember him showing up unannounced one night, so I served him a quick meal of eggs, onions, bread, and a big jar of homemade mayonnaise. After eating most of the mayo straight with a spoon he said "Thanks. I really liked the liquid bacon. What will they think of next! Liquid bacon!" Another time I found him trying to explain my job - newspaper editor working on a PC - to a group of Gypsies in the market. "Bob watches TV all morning, and then he taps the news into a telegraph - tap! tap! tap! that goes to the printing press and out pops the newspaper." Feri passed way in 1996, about three weeks after I last visited him at his home in Mera. He had a sudden heart failure, which spared him the experience he dreaded most - ever having to visit a hospital. As far as Feri was concerned, hospitals were the main cause of death - in strictly empirical terms, he explained, you see lots of people go into hospitals and never come out, so he wasn't setting foot in one. It hit me pretty hard when he passed, but a bit of him lives every time I pick up a fiddle and put a bow to the strings.Éljen Árus!
I’m not sure Árus Feri ever actually owned this violin – I knew him to play a couple of cracked, cheap, old brown fiddles. But about five years after Feri had died, I met a Gypsy instrument dealer in the Cluj flea market who had a few violins for sale. I wound up buying two – the one in the video, and another which I gave to Árus Feri’s talented fuck-up of a grandson who had sold his own violin. The violin seller, it turned out, was the brother in-law of Feri’s brother Béla, the accordion player of Méra. In the Romani world, everybody is related, so it isn't that mysterious that I wind up playing on his fiddle [photo by Stephen Spinder.]
Somehow, perhaps on a visit to Cluj, Árus was filmed playing on this fiddle which would someday end up sold to me. Fate works in funny ways. Like most Transylvanian Gypsy fiddlers, Árus Feri usually played on a variety of crap fiddles, but the older fiddles were prized mainly for their volume – these are cheap but loud instruments that had to be heard acoustically above a crowd of dancing, singing peasants in a village bar or marching around outdoors through the muddy village streets for processions (be patient - the music starts about half a minute in.)Árus Feri was one of the most influential musicians in my life. He taught me how to be a musician, not just a fiddle player. He would watch me play - I usually looked at my fingers when learning a new tune - and tell me "Don't play from your fingers! Play from your heart!" He taught me the inner world of Romanes – the world inside the boundaries of the Romani language. The son of the legendary fiddler from Méra, “Old Árus” who died in 1977, Feri was an extraordinary dancer who was studied by the nascent Hungarian folk music scene for his slick moves during the legényes, or lad’s dance. Indeed, there is a photograph of him dancing with his wife Rózsinéni in the 1972 National Geographic book “Gypsies: Wanderers of the World”. That picture planted the seed that eventually led me to Méra and a lifetime of screaming Gypsy violin. For a lot of Hungarian folk musicians, Árus is probably remembered more as a dancer than as a fiddler. In any case, Árus Feri was a dancer the likes of which you don't often see these days.After the fall of Ceaucescu, when Romanians could travel freely, Feri used to stay with me in Budapest quite often. He was a wonderfully pre-modern visitor. I remember him showing up unannounced one night, so I served him a quick meal of eggs, onions, bread, and a big jar of homemade mayonnaise. After eating most of the mayo straight with a spoon he said "Thanks. I really liked the liquid bacon. What will they think of next! Liquid bacon!" Another time I found him trying to explain my job - newspaper editor working on a PC - to a group of Gypsies in the market. "Bob watches TV all morning, and then he taps the news into a telegraph - tap! tap! tap! that goes to the printing press and out pops the newspaper." Feri passed way in 1996, about three weeks after I last visited him at his home in Mera. He had a sudden heart failure, which spared him the experience he dreaded most - ever having to visit a hospital. As far as Feri was concerned, hospitals were the main cause of death - in strictly empirical terms, he explained, you see lots of people go into hospitals and never come out, so he wasn't setting foot in one. It hit me pretty hard when he passed, but a bit of him lives every time I pick up a fiddle and put a bow to the strings.Monday, August 03, 2009
Pho in Budapest: The Hanoi Restaurant, Zuglo
Wednesday, July 29, 2009
Jewish Music from Maramures: Ionu lui Grigore Covaci
I love trolling youtube for interesting videos of traditional music posted by people from all over the world. Some of the stuff posted there are documents of traditions that have totally bypassed official or commercial distribution, stuff that used to be unavailable to anybody except the intrepid field ethnomusicologist with a tape recorder. I just found a couple of youtube videos of the great Maramures fiddler Ion lui Grigore Covaci, also known locally as “Paganini” who lives in the village of Saliste in the northern Romanian region of Maramures.
Ionu is about 75 years old now, and is mainly known as one of the best fiddlers of the devilishly tricky Maramures style of fiddle. Ion also comes from a long dynasty of musicians of Gypsy origin (he would never use the term “Rom” to describe his background) from the town of Viseu, and during his youth he heard local Maramures Jewish music played by his own family as well as by members of the Shloimovitch family band in nearby Rozavlea - not the particularly famed dwarf Jewish theater and band of the related Ovitch family. I've written about them and the Shloimovich band on this blog, and during that trip I had the pleasure of going on a crazed road trip with Ion to Hoteni to visit Ion Pop, the leading personality in traditional Maramures music today and a musician who works with Ionu quite a lot. Ion Pop included a set of Maramures Jewish tunes on a Cd produced by the excellent Ethnophonie label in Romania and available via the equally excellent Passion Music in Britian.
I have also visited with Ion quite a lot over the years, and he is quite the character, as you can see in these videos. In this first one, he seems to be on some kind of television cavalcade of Romanian traditional musicians, and is asked to play a set of the Jewish tunes he heard as a youth.In the second video, Ionu starts out by playing the classical peasant doina, the story of a shepherd who loses his sheep, which has become something of a set piece among Maramures fiddlers. He also seems totally nonplussed by having his fiddle go completely out of tune on live TV, something that most musicians would never live down. The Jewish part begins at around two minutes into the clip - there is a part where Ionu imitates the sound of the Yiddish speaking badkhen or Marsalinka directing the wedding in between tunes.Ion never actually played with the Shloiovich band, but neighboring fiddlers from Ieud and Dragomiresti did. I spent days hanging with them mainly to get a sense not only of the repertoire used in the region, but also the style in which Jewish musicians preferred to perform it. The typical Maramures accompanying instrument since the first world war has been a retuned guitar known as the zongura, and today it is used as background for almost all Maramures music. Most of the older generation of Maramures professional musicians specified that Jewish musicians never used the guitar, preferring all string bands, so what we are hearing is a modern recreation of the repertoire, without any obsessive attempt to present a historical model.Here is another clip made with Ionu outside of his home in Saliste in which you get a sense of what a complete entertainer he is - he loves swinging his fiddle above his head. He's a professional village primas... this is how you make a living. On this final video, Ionu begins the set of Jewish tunes about 1:30 into the clip. These are all tunes we use in my band – we recorded them during the sessions for our last CD Traktorist, but the set proved too long to fit on the CD and so it sits on my shelf waiting for me to release another CD in the future.
I have also visited with Ion quite a lot over the years, and he is quite the character, as you can see in these videos. In this first one, he seems to be on some kind of television cavalcade of Romanian traditional musicians, and is asked to play a set of the Jewish tunes he heard as a youth.In the second video, Ionu starts out by playing the classical peasant doina, the story of a shepherd who loses his sheep, which has become something of a set piece among Maramures fiddlers. He also seems totally nonplussed by having his fiddle go completely out of tune on live TV, something that most musicians would never live down. The Jewish part begins at around two minutes into the clip - there is a part where Ionu imitates the sound of the Yiddish speaking badkhen or Marsalinka directing the wedding in between tunes.Ion never actually played with the Shloiovich band, but neighboring fiddlers from Ieud and Dragomiresti did. I spent days hanging with them mainly to get a sense not only of the repertoire used in the region, but also the style in which Jewish musicians preferred to perform it. The typical Maramures accompanying instrument since the first world war has been a retuned guitar known as the zongura, and today it is used as background for almost all Maramures music. Most of the older generation of Maramures professional musicians specified that Jewish musicians never used the guitar, preferring all string bands, so what we are hearing is a modern recreation of the repertoire, without any obsessive attempt to present a historical model.Here is another clip made with Ionu outside of his home in Saliste in which you get a sense of what a complete entertainer he is - he loves swinging his fiddle above his head. He's a professional village primas... this is how you make a living. On this final video, Ionu begins the set of Jewish tunes about 1:30 into the clip. These are all tunes we use in my band – we recorded them during the sessions for our last CD Traktorist, but the set proved too long to fit on the CD and so it sits on my shelf waiting for me to release another CD in the future.Friday, July 24, 2009
More Summer 'Shrooms.
It is deep into a Budapest July, and given the economic macro-situation in our household, we have been staying at home most of the summer. We are in the middle of a heat wave, broken almost every three days by a cold front which brings on tornado style winds and hail storms. As I mentioned, this is good for very little but... wild mushrooms. Down at the Bosznyak Market this week it the mushroom sellers were pushing chanterelles, called róka gomba "fox mushrooms" in Hungarian.
As I said a few posts back, all wild mushrooms sold have to be checked and certified by a resident mushroom expert at each market. Most of my mushroom picking friends learned their expertise by sitting with these folks at the height of mushroom season and watching how they identify the different types of wild mushrooms. Gombavizsgálat means "mushroom examinations." You can trust these folks. They mean business. Nobody gets sick.
Chanterelle mushrooms are firm and meaty. These cost about FT 500 for 30 dekas, enough for two of us to really make a meal from them. If you were to order these in a New York restaurant you would be explaining things to your banker next week.
We also got some Oyster mushrooms, which are cultivated in Hungary and don't have to go through the examination process. I used to see these in the USA in gourmet supermarkets - in Hungary they are almost as cheap and common as regular mushrooms. I usually eat these in soup.
Most Hungarians simply saute the mushrooms and serve them over meat as a sauce, make omlettes out of them, or stew them with paprika and onions for gomba pörkölt. I like the natural flavor of the mushrooms to shine through, and the best mushroom dishes I have ever had were in Italy... the market ladies always ask me "and how do you prepare them?"
Pretty simple: saute them in olive oil with crushed garlic and a pinch of salt. Serve with pasta. But I like to have a bit of meat with my pasta... usually we hit a small butcher market in the back of the market that serves a largely Gypsy clientele, mainly because it is cheap and serves less than fancy cuts of meat. Which can mean different things in Hungary - I buy beef cheeks here for stew at a ridiculously low price, since nobody knows what to do with beef cheeks. Those babies are US$20 a pound in New York at wholesale prices for restaurants. But since it is scorching hot these days we do most of our cooking out on our ancient Turkish electric grill on our porch, and duck hearts were on sale. Marinated in lemon juice, olive oil, garlic and black pepper they grilled up very fast.
Voila! Grilled duck hearts with chanterelle mushrooms on capellini.
Saturday, July 18, 2009
Happy Birthday, Sis!
Just taking some time out of our heavy summer schedule to wish my sister a happy birthday! She's (_fill in blanks__) years old, and my, my, she has always loved a party! For those of you who don't know, my sister is a highly regarded medical research doctor in the States. If you or somebody you love has ever taken a medicine and not died or gotten horribly sick from it from it, you can thank her. But before opting for the curing of the human body, she used to work on the human soul. Pam was one of the best classical pianists in New York during her time - she won the New York City competition several years running while at New York's High School of Performing Arts and went on from there to Julliard. In this picture, you can see the seeds of that talent taking root.
Always an avid performer, I have dozens of photos of my sister in various ballet costumes, but I am too much of a gentleman to display them here. Here's one of my favorites, taken with my Mother sometime in the middle of the twentieth century. Happy birthday sis!
Sunday, July 12, 2009
Porcini Time!
The weather this spring and summer in Hungary has been a series of warm, sunny weeks followed by cold stormy weeks, one after the other. The positive take on this is that this makes for the perfect conditions of a great porcini mushroom year. Porcinis (vargánya in Magyar, cèpe in French or boletus edulis in Latin) are usually available each summer but the prices are usually too high to buy them often. A month ago porcinis were available in the markets at FT 3500 (US$17) a kilo. Last week they dropped to FT 1500 ($7) a kilo. We picked up a bit less than a half kilo – a bit extravagant, but worth every forint.
Wild mushrooms are often for sale in the open markets. Each market has an official examiner who double checks all mushrooms being sold to make sure no poisonous varieties are mixed in, then the mushrooms are certified and the certificate is displayed by each pile of mushrooms. At this time of year a lot of chanterelles are on sale. Some of my friends are mushroom hunters and during the spring and early summer they often unload shopping bags full of “chicken of the woods” on me – it’s a flat tree fungus with a hefty texture that you can treat almost as meat. Porcini (cepes, vargánya in Magyar) puffballs comprise the group of four mushrooms known for safety there are few poisonous mushrooms that resemble them.
Hungarians will often bread and fry the larger porcinis, but I prefer to let the delicate fresh shrooms flavor a pasta sauce: simply olive oil in which garlic has been sautéed and removed, black pepper, and sliced shrooms. Risotto is also a good way to get a lot of mileage out of pricy porcinis, but since we have an obscenely large stiock of dried mushrooms on hand in the pantry, we eat mushroom risotto quite often - for fresh porcini, tossing them in with with fresh tagliatelle is the answer.
As for the crazy weather… we had a huge sudden storm last week with hail balls the size of cherries flying horizontally at sidewalk level. I grabbed my camera to catch it and as I was filming one of my basil plants was actually blown off the terrace – it landed in the garden below and survived. I only noticed it when Fumie came home and told me the basil was missing. I was too caught up in filming the storm to see the basil take wing - it takes its leap into oblivion at around 30 seconds in.
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