Wednesday, January 17, 2007

The Unspeakable Karmic Revenge of Shellfish

I'm getting ready to head back to Budapest after two months in New York, and I can't say I'm looking forward to the late winter produce that will usually be available in the local markets. February in Hungary means a diet of potatoes, pork, and cabbage. I am going to miss a lot of things, but probably none more than shellfish. Winter is the best time of year for shellfish, especially if you roam around New York's Chinatown fish markets where the crabs and clams move fast and are fresh and cheap. I'll be making one more gluttonous trip to Chinatown before I leave though... I need more Shangahi soup dumplings. These are steamed dumplings filled with pork or crab in broth... but with the the broth inside the dumpling. You nibble the dumpling skin, slurp up the hot broth trapped inside, and then go to work on the dumpling. I usually order some of these and then move on - I can hit two or three Chinatown eateries in a row on a good day, trying different things out. Wandering around Chinatown on an empty stomache is a poor man's five star vacation trip. I need some more vietnamese pho molecules inside me, and maybe some sticky rice jong packets... Of course, I usually pick something up to take home to cook up... octopus, for example. Stinks like an old shoe when you cook it at home, but for these prices, let it stink! Octopus mean New Year's for me, after last years excessive cephalopod feast on the island of Dvernik in Croatia. Bigger octopus are best grilled.
If you are visiting New York, a bit of advice: New York is located near some of the world's best clam beds. Clams from Long Island, New Jersey, and New England in the winter are possibly the single closest thing to a fresh taste that screams local New York! and isn't shaped like a pizza. Order them in a restaurant and you can get set back a big piece of change. Buy them at a fish market, take them home, and enjoy. While traveling abroad - as in outside of landlocked Hungary - I often find some kind of clamlike shellfish at the local market and take them back to my hotel for a late night feast. The hotel management might not like it, but it's not as bad as trashing your room, and tastes better. All I need to prepare them is a knife and a towel to protect my hand as I hold the clam and ... slice it open. I prefer the larger cherrystone sized clams to the more delicate littleneck clams. I like to see them squiggle a little as I cut the aductor muscles... the fact that the clam is alive is a sure sign of freshness. Americans are generally thought of as squeamish eaters, which hold true until you get to clams. Clams are the only food that Americans eat while it is still alive. You don't get much more unkosher and un-Buddhist than that. Clams on the halfshell, like oysters, have to be alive when eaten. Sure, it sets you back a few karmic reincarnations, but heck... it tastes good. I was introduced to clams by my father when I was about thirteen years old. It was something of a rite of passage for non-religious New York Jews. Eating Italian pork sausages or Chinese food wasn't really considered unkosher enough to shock anyone. Taking your son out for clams on City Island in the Bronx was the best way to insure that nobody in your family was going to return to the hasidism that took so many generations to get out of in the first place. The ability to eat clams on the halfshell were a gift from my Pop to me. And he still gobbles them down, oblivious to the karmic implications...
One final bit of local flavor I will dearly miss: Popeye's Fried Chicken. Popeye's is a commercial fast food fried chicken chain that is - as the say in the deeply racist but happily euphemistic vocabulary of American merchandising - an "Urban Franchise." Meaning it is marketed to Black people in Black neighborhoods. The same goes for Church's Fried Chicken - also good. White folks, supposedly, eat Kentucky Fried Chicken. In America, social segregation applies to fried chicken as well as people. Needless to say, Popeye's is better, cheaper, less greasy, crsipier, and offers sides like jalapeno peppers, Louisiana dirty rice, red beans and rice, and great biscuits. Sometimes, sitting in a cafe in Budapest, I can suddenly smell the aroma of Popeye's drifting out of nowhere. But, heck... I've got gigs in NY next October... I'll be back for seconds!

Monday, January 15, 2007

Yiddish is Alive - And Dancing - in NYC.

Maybe it is just becase I have been more aware of it of late, or maybe because I have been spending more time in Brooklyn and with the younger generation of Yiddish activists, but in New York I am made aware daily of the presence of Yiddish language. In Europe Yiddish is generally considered a dying tongue , confined to pockets of elderly speakers, hasids in Antwerp, and linguistics departments at German universities. OK, and the eastern half of Paris... but in New York? In Brooklyn children still dream in Yiddish. A lot of my initial interest in the state of the Yiddish language is related to work I did as a linguist working with Native American languages and African languages spoken in the New World. One got accustomed to language communities that had very few speakers, or were teetering on the brink of linguistic morbidity. The general attitude towards Yiddish in Eastern Europe was that it was a dead language. Well, Yiddish ain't dead by a long shot. To paraphrase Frank Zappa... Yiddish isn't dead. It just smells bad. Or as I.B Singer said, Yiddish is taking a very long time to die. Take Yiddish theater... although the Yiddish theater has seen better days, the revived National Yiddish Theatre - the original Folksbiene - recently gave a performance of the Pirates of Penzance in Yiddish, not to mention Fyvush Finkel and Theo Bikel performing in "The Sunshine Boys" recently...You can still catch a bus in Yiddish in Brooklyn...Or buy a subway pass in Yiddish...Or just learn to behave properly. This signboard was found upstairs at the headquarters of the Arbeiter Ring, the Workman's Circle building which houses the weekely Forward newspaper, which comes out in both Yiddish and English. I think that this room may be used for one of the Yiddish children's classes... but essentially, this is a sane and practical basic guide to non-Jewish behavior...Now, if you want to learn how to move in Yiddish, well.... you would be well advised to check out the Tants Hoys. The word means "dance house" and the idea is that yiddish dance should be taught in a lively atmosphere to live music in order to make a sense of community. Not just "right foot, left foot, one - two-three" to some recorded music. Last night it was dancing at the Manhatten Jewish Community Center with dancing led by Dr. Zev Feldman, who has been at the forefront of research into early Klezmer music since the 1970s. Zev focused on Moldavian Jewish dancing, since those traditions have survived best into the recent era. Zev has basically reconstructed an aesthetic of Yiddish dancing based on his extensive contact with elderly yiddish speakers and his own family traditions. One interesting point was that while much of south/central Moldavian Jewish dancing is lively and fast, the northern style of dancing (as around Edinets, where Zev's family comes from) tends to be stately and slower, with a lot of grand arm posturing in place of fancy footwork. The band was perfect for the occaision, consisting of musicians who learned extensively with the late Bessarabian klezmer clarinetist German Goldenshteyn.Here we see clarinetists Michael Winograd and Christian Dawid of Berlin in a rare moment of not falling over each other laughing at some raunchy musicians joke. In the background is the legendary Pete Rushevsky - mere mention of him sends my blog statistics into a huge readership spike. The man has fans. Pete has singlehandedly turned an obsolete and famously unweildy folk instrument - the Jewish tsimbl - into the sex symbol of klezmer music. Welcome to my sexy party!Next to Pete is Jacob Shulman-Ment, the great vays hope of klezmer fidl. I met Jake in Budapest where he spent a year learning the Hungarian language and violin styles, and now he is - bazd meg! - my favorite person to speak Hungarian with in New York. Kiboszottan jol beszel a nyelvet! (Continuing apologies for lack of diacritic marks...) Jake has been playing with Romashka and recently released a truly tasty bit of traditional style Klezmer with Art Bailey's Orchestra Popilar, Branch from the Tree, which presents the music of klezmer cimbalom player Josef Moskowitz in a new and lively light. Definately my number one klezmer CD pick of 2007, since it made my Dad dance all around the kitchen, no mean feat for an 80 year old Moldavian Jewish ex-cop...Jake traveled around Romania last summer and made visits to many of the Maramures fiddlers with whom I did research, for example, Nicolae Covaci, who still plays quite a bit of Jewish music he learned from local Jewish musicians before World War Two. Jake is the kind of musician who doesn't just learn tunes... he learns the moves as well. The fourth Tantshoyz of the season will be on Tuesday, March 13 7:00PM - 9:30PM at the JCC ( 334 Amsterdam Ave. at 76th St.) with dance instruction by Michael Alpert! For more info about the event email Pete R. at klezbanjo AT yahoo.com. And to top it all off, mayn shvester un shvoger had a good time at the tantshoys as well!

Sunday, January 14, 2007

Zlatne Uste Golden Festival

Last night was the annual Golden Festival, hosted by the Zlatne Uste Brass Band, New York's oldest ongoing balkan brass band. Zlatne Uste get around a lot and make a lot of friends in most of New York's balkan and east European communities, and for years their winter Golden Festival has been the annual big bash for whoever is cooking up some musical goodie in the NY ethnic music scene. From A (Albanians) to Z (Zurli bands.) The party starts at 6 pm and goes all night long on three stages in a school building. If that's not enough there is jamming in every nook and cranny (Bulgarians above, Bulgarians below. Bulgarians damn near everywhere.) I did a set of Moldavian Jewish klezmer tunes dancing early in the evening with Pete Rushevsky, Jacob Shulman-Ment, Christian Dawid, and Raoul Rothenblatt, with dances led by Dr. Zev Feldman. Of course, I couldn't take picture of that - I was playing sekund fiddle - so I will try again tonight when I go to the Yiddish "tants hoys" at the Manhatten JCC. Armenians were playing for dancing in the basement. New York - and Newark, New Jersey - has always had a vibrant middle eastern music scene centered around the Armenian community. Oud, clarinet, and some duduk music for Anatolian style dancing.Since I will be on the road back to Budapest next weekend, the festival was a good day to meet up with lots of friends from lots of music scenes. Harris Wolfson, Sarah Alden, and Lev "Ljova" Zhurbin (who just returned from a six month exile in Budapest with Inna Barmash of Romashka) did a hot set of Transylvanian style fusionoid music as "World on a String."The hardcore Transylvanian style music was played by Eletfa, America's reigning Hungarian fok music band. Led by Kalman Magyar - an amazing fiddler - Eletfa is about playing with real guts and authenticity - and they had the crowd dancing right off with a set of western hungarian tunes led by dancer Aron Szekely, whose father, Levente Szekely, is a great Transylvanian fiddler himself when not working as a diplomat in Hungary's foreign service in the US. Raoul Rothenblatt plays bass with Eletfa. Raoul used to be one of the regulars in Budapest's old Tilos az A bar scene back in the days when he was paying his dues at the Ferenc Liszt Music academy. Jozsef Gartai - we know him as Heki - plays the kontra, the three stringed viola I mentioned in the last post. I knew Heki from the wild Budapest "dance house" days back when I first moved to Hungary. As soon as he could, he moved to the US. Essentially we traded places. Below, you can see the classic position for holding the kontra viola - verticle, played by a heavy, hand-carved bow. the three strings are tuned GdA, forming tightly harmonized chords, which is facilitated by a flat brige for the strings.It was great meeting up with Eletfa since I had been stuck with a bagful of Hungarian candy bars from my local CBA shop that nobody else wanted. Everybody got Sport Szelet and Balaton Bars - deep Budapest nostalgia flavors - and even the infamous candies called "Negro" were accepted totally without irony. Alas, no such event is complete without the indelible imprint of Grand Master Godfried... appearing here with cajun band The Bosco Stompers. How a band like this can limit themselves to a twenty minute set is beyond comprehension. Honking great accordion and fiddle, it simply made the dance floor explode.
Of course there were souvenirs to take home. All of Fumie's friends know these little kilim patterned coin bags. I saw them for sale at a Union Square Christmas market for $15 each in December. Here they are a reasonable $8.50 each. In Istanbul, however, you can pick them up for 50 cents each at the bookseller's bazaar in Beyazit. Long live the free market economy.

Pardon the lack of Hungarian diacritic marks - I am new to this computer, and we have yet to work out a few keyboad kinks...

Wednesday, January 10, 2007

DJ SoCalled meets Puma: These are the Good Old Days!

Dj Socalled, known in some circles as Dolgini, the wonderboychik of neo-Yiddish music, posted this in Youtube. The backing track is none other than Puma, the kontra player from Di Naye K. After working with us on our new and still unreleased third CD, Josh took Puma into the studio to record some rythym tracks played on the Transylvanian kontra, a viola rebuilt with a flattened bridge and three strings in order to play full bowed chords. Kontra is used in Northern Romania by traditional Gypsy village string bands, but it has never sounded like this!

Cheap Eats Day

Claude C. and his newlywed bride Cosmina showed up in New York on their way back to Budapest yesterday, hungry and terrified about all the horror stories they had heard about how expensive it is to eat in New York. Cosmina is from Banloc, Romania, and although she lived in London (a truly expensive place to find even a snack) she was a bit shocked by American restaurant prices. Never fear. Dumneazu is here! I ran them down to Chinatown to a lunch joint on Canal Street that Fumie and I used to eat at almost every time we were in Manhatten.Chinatown is filled with cheap lunch parlors, especially ones serving noodle/wonton soups and roast meats. While there is a full menu, you can order your BBQ goodies by the pound - spare ribs at $6.40 a pound is about as good a deal as it gets.If you have a craving for duck, why pay more in some fancy mid-town bistro? Here's what five bucks will provide:Claude and Mina went for the spare ribs and shrimp fried rice. Romanians like meat, accompanied by meat, with a light meat dessert. I stuck to my old favorite chinese noodle soup - a huge bowl with roast duck, roast pork, and shrimp dumplings.If you haven't had enough, you can pick up some char siu bao - roast pork steamed buns - on the way out. Our entire meal for three came out to $21. Translated into Forints, Euro, or Lei that counts as a damn good deal. I actually started my day early up on 181st Street in the Dominican section of Washington Heights. I needed some late breakfast, so I stopped at a Mexican taco stand on the sidewalk near Broadway.I had no idea what I was getting into, so I just walked up and ordered a chorizo taco. The guy working inside answered me in Spanish, so I switched to my bad Romanian-influenced dialect of Castillian and asked him where he was from... "Din donde estas?" Apparently he understood me, and he was from Cuernavaca, Mexico.I'm from Hungary, I answered, and we can't get tacos in Budapest. "You don't have tacos in Hungary?" He was sincerely surprised. "What do you eat? No tacos?" "We eat mostly stews with potatoes (asados con patates.)" "Oye, amigo" he answered, "you people need tacos." Absolutely. Two whopping hefty tortillas wrapped around hot, spicy chorizo sausage with some killer green hot sauce and sour cream. Two dollars. I may have to get me a taco cart and set it up someplace on the Nagykorut. "No Tacos? Ridiculous!"

Sunday, January 07, 2007

Breaking Up Christmas!

Like a lot of folks who play Klezmer music, I got my start playing American traditional folk music back in the 1970s. New York was a magnet for folk music, and there was a very active scene of people playing traditional Appalachian fiddle music and old-time southern music styles. One peculiarity of the New York Appalachian fiddle and bluegrass scene was that almost all of the local music enthusiasts were either Jewish or Italian. Many of the musicians who became the backbone of the east coast Klezmer revival, such as Henry Sapoznik and mandolinist Andy Statman, were regulars at the old-time music jam sessions that were held at the Eagle Tavern on 14th Steet. Young New York musicians would make the pilgrimage south to North Carolina or West Virginia to learn to play at the feet of some of the old masters of traditional folk fiddling, like Tommy Jarrell of Toast, North Carolina.Tommy's style (generally known as "Round Peak" style) became the New York City default mode for fiddling. Tommy Jarrell's father, Ben Jarrell, had been the fiddler in the obscure but wonderful string band "Da Costa Woltz's Southern Broadcasters" who recorded gramophone sides for the Gennet Record Company in 1928. Da Costa Woltz's Southern Broadcasters were what substituted for punk rock during my high school years. MP3 recordings of the band are here.Tommy Jarrell 's style of fiddle - full of off-kilter synchopated bowing and open tunings - was the meat and 'taters of the 70's New York fiddle scene, since Tommy was a living link to an archaic music tradition that was already, by the 1970s, fast disappearing. One day Jarrell made an offhand comment to banjo player Henry Sapoznik about all the Jews playing Appalachian folk fiddle - "Hank, ain't your people got any music of their own?" Sapoznik - whose organizational skills are as amazing as his old time banjo chops - set about answering that question and the beast we know as the New York Klezmer Revival was set in motion. (Henry's book, Klezmer! Jewish Music From Old World to Our World is a must read for those trying to sort out all the meaty contradictions of the early Klezmer revival.)Tommy Jarrell makes an appearance in Appalachian Journey, an online video available at the Folkstreams website. Documentay film maker Les Blank featured Tommy Jarrell in his 1983 film I Will Sprout Wings and Fly. Mr. Jarrell passed away in 1985, but a lot of younger musicians were the inheritors of his repetoire and musical tenacity. The link between New York and the Round Peak music scene was pioneered by Ray Alden, a NYC math teacher and banjo player who researched the styles played by people like Tommy and Fred Cockerham and brought their lively, deeply moving (and highly non-commercial) music to urban audiences with some great recordings. Ray has also kept tabs on the traditional music scenes around the US in his Young Fogies series (highly recommended!) So I was pleasantly bowled over last night when I arrived at a New York party to find Ray Alden and his fretless banjo sitting at the center of an old time fiddle jam session. Just like the old days!The party was organized by fiddler/guitarist Thomas Bailey (seen above sawing a violin in half) at the home of one of his friends in Manhatten. Tom - a native Virginian who is also first rate guitarist who sings with great style - is one of those rare people in the US who can cobble together a full time living as a traditional musician, and should be touring Europe and the Britlands soon in the future. And Man, can they throw a party! I know people, like our friend Tom Popper in Budapest, who take their party-throwing skills very, very seriously, but my hat is off to Thomas' friend Guy, who let a bunch of itinerant banjo-twangers turn his beautiful west side apartment into the northern equivalent of a North Carolina "Breaking Up Christmas" party. Incredible food and wine were served to people whose poetic skills were reduced to howling crude verses like:

If you wanna get your eye knocked out,
If you wanna get your fill
If you wanna get your ashes hauled
Go up to Sugar Hill....

I haven't been to a fiddle session in the US yet on this trip and, for me, this was more fun than a man should have with his pants on. Ripping old tunes, fine singing, people who really respect the music they play and play it well. Fiddlers Sarah Alden and Harris Wulfson also showed up. Both of them have done their hard time traipsing around east Europe learning music from local Gypsy and peasant musicians. Sarah plays with the Luminescent Orchestrii, part of New York's oddly categorized "Gypsy Punk" scene. She's got a great ear for Romanian and Transylvanian fiddle styles, and we all had an impromptu Romanian fiddle session in the back room around 2 AM...
Jeebus!... where in the world would anybody allow you to play three-fiddle Moldavian dance tunes in their apartment at 2 in the frigging morning? And get away with it? My hat is off to Thomas, Mozell, and Guy and their friends for hosting a fantastic party. My tip off to the party was the eminence gris-gris of the New York ethnic music scene, Bob Godfried. Bob is a one-man nerve center for all music happening in the NY folk and ethnic music scenes, a walking encyclopedia of music trivia, history, instrument repair tips, and exhaustive bits of Bronxiana. If there is a Chaldean bar that features oud music in Yonkers, or a Ghanaian Highlife band playing a bar in Queens, Bob knows about it. Need an Azerbaijani accordion tuned? He's your man. Wondering where to find rare Bosnian Sevdah music CDs in the Bronx? Up his alley. Coming in from Lousiana with your Cajun Band short a member? Call Bob G. Without him I would be a babe lost in the woods of the NY music scene. In the photo above we see Mr. Godfried playing a vintage Strad-o-Lin, which were cheap mandolins mass produced before the 1960s that almost all of us NY musicians owned at one time or other. When you are jamming in a room full of valuable vintage Gibson guitars, Vega banjos, and other fine old instruments it takes cojones the size of bowling balls to whip out a despised little Strad-o-lin, but these little plywood babies really scream in a decidedly impolite manner above the din of the banjos and fiddles. Long Live Big Cojones and little Strad-o-Lins!

Saturday, January 06, 2007

Zabar's


Cruising around midtown Manhatten, I accidentally found myself in front of Zabar's. Zabar's is one of the oldest established New York gourmet food markets, especially known for its bakery and coffee departments. Still going strong, and not really expensive at all, Zabar's manages to buck the trends and offers a glimpse into the food cravings of several generations of New Yorkers.Whitefish, for example. No Sunday breakfast is complete without smoked whitefish. Whitefish are, essentially, big minnows, chubs and other fish that most Americans would never, ever think of eating fresh. In Europe these would be considered trophy sport fish.New Yorkers tend to identify salami with Italian varieties. This is Hungarian Brand Salami, made in New Jersey. Close to a Pick or Hertz salami, but not quite - saltier, and without the sticky pork fat aftertaste that makes a salami "sing" for me. Regardless of what they tell us in Budapest, I haven't seen any Hungarian imported salamis yet. In fact, I haven't seen any imported products from Hungary apart from a jar of Univer garlic paste in a warehouse in New Jersey. Pick up a copy of any business newspaper in Hungary and they would have you believe that the world is climbing over each other for more Hungarian salamis. Well, it just ain't so.Rugelach are small pastries filled with fruit, nuts, or chocolate, made from a dough that incorporates cream cheese into the batter. They are originally a Polish Jewish obsession, but now they have become a universal identity pastry of New York.The best rugelach are probably found in Boro Park, in Brooklyn, or possibly in Jersey - everybody has a tradition-based variation on the rugelach theme, and none of them even hint of "healthy" or "light." Rugelach are a meal in itself - especially the nut filled versions.

While I was at thre Zabar's pastry counter some Australian tourists tried to order "one rugelach." The counterman informed them that a minimum order was four. OK, they took four. Later I saw them at the cashier's line with a huge bag of rugelach. Hot sauces. Oh Lords of Capiscum, I love hot sauces. So do my friends in Transylvania. I often bring dozens of bottles of hot sauce to Romania when I return for a visit. You want to make a seventy year old rural Musician Gypsy fiddler very happy? Give him real Mexican hot sauce. Soon these little babies will be tucked into my luggage to burn the hungry palates of Kolozsvar.

Thursday, January 04, 2007

Welcome to the EU, Romania!

To all my friends in Romania, welcome to the EU! For years I have been a big advocate of Romania becoming a member of the European Union - Romania seems to be a good argument for a country that can actually reap some benefits from the Union, given its strong agricultural base and growing export sector. Most importantly, Europe needs some more GogoaÅŸa Infuriata. Angry donuts!The Angry Doughnuts are an institution in Cluj, also known in Hungarian as Kolozsvar, which is the central city of Transylvania and has always been my second home in Yurp. GogoaÅŸa are not really doughnuts at all in a strictly European sense, they are freshly fried dough filled with jam or chocolate or vanilla cream and served hot on the streets. They are devastatingly good. Below is an example the effect these doughnuts have on EU citizens. Several of the EU member states, such as Britain, have set restrictions on the entry of Romanian and Bulgarian citizens into their work forces. It isn't any surprise. The EU is not about fair sharing of labor. The EU is about Germany, Ireland and France getting extremely rich. The two-tier system that came in place when Hungary, Poland, and the other east European and Baltic nations joined the EU is full of holes, though. Any Romanian can still travel to the EU... they just have to be a bit cagey about how they find work once they get there. And believe me, they will find work. Yes, Europe, they are coming.The BBC posted a news story about a fact that many already suspected: the western Europeans fear the Romanian work ethic. Romanians suffer from the stereotype that they are lazy - which is true when they are when working at jobs for 300 Euros a month in some factory in Romania. Pay them a decent wage and they work their tails off. Half of the working age population of Maramures is already working in Spain or Italy as we speak. I once asked some Romanian friends from Maramures about how they made so much money so fast by working on construction sites in Italy. "Oh, the Italians are lazy," my friend said "they only want to work eight hours a day, not like us. We'll work 16 hours a day." They then take the money back to Romania and build homes. Big homes. Very big homes. Welcome to our house, Europe!